Field Recordings

Gillian Welch at The Music Hall

They call it bluegrass, but it comes in many shades. Gillian Welch’s interpretation of the genre usually comes in darker hues, with songs about death and addiction, sorrow and longing. But the tempo is often exultant, as Welch’s long-time partner Dave Rawlings livens the melody with fiery acoustic guitar picking. On their latest visit to the Seacoast, she carried the crowd through a delectable menu of songs from her new album and throughout her career, alternating between slow, aching ballads and upbeat country hoedowns.

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One Hand Free @ Fury's Publick House, Aug. 3

The impulse to defy convention and brand oneself as something new, fresh and different is entirely understandable—admirable, even—although claims to absolute originality are often greatly exaggerated. Still, there’s something to be said for the loud, unrepentant rock ’n’ roll of the 1960s and ’70s, when musicians suffered no such identity crisis, instead proudly saluting under the banner of rock.

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Field Recording: Mallett Brothers and Brothers McCann at the Stone Church

It was an evening of brotherly music at The Stone Church when two regional sextets anchored by a pair of siblings took the stage in Newmarket. Portland’s The Mallett Brothers Band, led by Luke and Will Mallett, offered an invigorated alt-country sound that sonically conveys their upbringing in rural Maine. They’re proud of their local heritage, and the Pine Tree State should be equally proud to call them residents. Put simply, this is a damn good band, one of the best to come out of Portland in recent years. And, like most good bands, they ought to be heard live and in the flesh.

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Festival of sound

Maine’s first ever Nateva Festival, featuring local and national talent, created a culture all its own on Fourth of July weekend. 
Despite competition from the Drive-By Truckers, who performed simultaneously on one of the main stages, Amesbury-based The Brew coaxed a generous crowd with an inspired set of rock, a cyclone of improvisation that rivaled the world’s most exalted jam bands. Guitarist David Drouin looked like he’d been pelted with water balloons as he tore through a series of solos in the summer heat.

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Dave Gerard

at the Press Room July 1

Dave Gerard jokingly thanked folk legend Tom Rush for opening for him on July 1. Rush had played a show under the tent at the Prescott Park Arts Festival, finishing his set about an hour before Gerard kicked off his solo gig at The Press Room. Gerard regrettably confessed that he did not know any Tom Rush songs and could not pay tribute to the fellow New Hampshire resident. Instead, he dove into a fresh and energetic set of mostly original songs from his new CD, “The Zoomy Trail.”

A veteran Seacoast performer with unmitigated passion for his craft, Gerard meshes blues, rock and bluegrass into a distinctive guitar and singing style. When he’s not gigging as a solo artist, he can often be found fronting his Portsmouth-based rock band Truffle, which has been together since 1986. That experience all comes to bear on “The Zoomy Trail,” his fourth solo album.

Gerard’s acoustic guitar expertise was on full display at The Press Room, where he often indulged the Wednesday night crowd with extended instrumental interludes. He strummed chords easily and proficiently, complementing his own playing with his often guttural vocals. His voice, similar in pitch to Eric Clapton but with a slight Louis Armstrong growl, invokes the spirit of New Orleans music on the Seacoast.

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