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Art
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Wednesday, 01 July 2009 |
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Children’s Museum hosts textile arts exhibit
Dover was once known as one of the textile capitals of the
nation. The Children’s Museum is revisiting the city’s legacy in
Gallery 6 with a summer exhibit called “A Continuous Thread,” on
display through Sept. 6.
The new art display complements the museum’s recently completed
Cochecosystem exhibit, which shows visitors the natural life on the
river as well as its industrial past. In contrast, the museum’s Gallery
6 showcases three fiber artists with a contemporary take on the medium.
The gallery walls are alive with colorful work by weaver and art
educator Sarah Haskell; master printmaker on paper and fabric Lisa
Grey; and Suzanne Pretty, a founding member of the Tapestry Weavers in
New England and two-time Artist Fellowship winner from the N.H. State
Council on the Arts.
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Thursday, 25 June 2009 |
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Portsmouth gallery closing its doors, but starting a new project
Three
of the four artists who own the ellO gallery and shop were sitting in
the backyard of their downtown Portsmouth location on June 20, after
roughly 20 participants in their pinewood derby had left. Anticipated
rain showers never came, and despite heading toward their closing
reception on Friday, June 26, the owners were as optimistic about the
future as ever.
Glenn DiLando, John Fanning and John Winters are beginning ellO
Projects when the ellO gallery closes at the end of this month for
financial reasons. The fourth owner, Byrdy DiLando, will take the time
to focus on her clothing line, which has been difficult while working
at the gallery and two other jobs to keep it afloat.
The new venture will have no set location and none of the
overhead expenses that come along with it. They will still display art,
but at various spots around the Seacoast. They will also hold community
events, like the derby with hand-painted cars, and their live music
series, Florescent Grey.
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Thursday, 25 June 2009 |
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local artist Marshall Carbee launches his own line of soy-based gesso
Standing
in his spacious third-floor studio at the Button Factory in Portsmouth,
artist Marshall Carbee proudly displays a recent painting. In earthy
shades of brown and red, like western soil at sunset, the piece depicts
a plant budding from underground roots. Its title? “First Green
Painting in the Modern World, 2008.”
The painting is not green in color, but in its materials. Carbee
used a hemp canvas with no frame and petroleum-free paints derived from
natural earth pigments. For a primer, he used a soy-based gesso—a
non-toxic, non-hazardous, zero-VOC product Carbee helped create. That
product, called Carbee Soy Gesso, is now available to all artists.
“It’s the first of its kind,” Carbee proclaims. “There’s nothing like it.”
The painter’s new business, Carbee Eco Art Products, offers the
gesso online at www.carbeesoygesso.com. Within a couple of weeks, he
says, it will also be available at F.A. Gray in downtown Portsmouth and
the N.H. Institute of Art in Manchester. Carbee believes his product is
the world’s first renewable, sustainable artist gesso, and that its
quality, longevity and durability equal the top commercial brands.
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Wednesday, 10 June 2009 |
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Five artists with studios at the Button Factory in Portsmouth will
open their doors and share their art on Friday and Saturday, June 12
and 13. The third annual Spring Open Studios begins with an opening
reception on Friday evening and continues throughout the day on
Saturday.
Roger Goldenberg will show his colorful works of art on paper in
studio 325. Catherine Raynes will display her mood-infused landscape
oil paintings in studio 223. Laura Moon will present ceramic works and
sculptures in studio 214. Aysen Orhon will showcase representational
abstract paintings in studio 208. And Elise Moran will offer
nature-inspired jewelry handcrafted from silver and gold in studio 202.
All five artists will be on hand to share and discuss their recent
works.
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Thursday, 26 March 2009 |
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needle arts piece together Portsmouth’s past
Magazines
will tell you that clothes say something about you. It seems, though,
that textiles from the past have whole stories to tell about the people
who made and wore them.
There are more than 2,000 textiles in the Strawbery Banke Museum
collection, and the ones with family stories tend to be the most
compelling. About 30 of those pieces are on display through April 18 in
the Randall Gallery of the Portsmouth Athenaeum during an exhibit
called “Through the Eye of the Needle: Sewing Stories and Family
Stories.”
Needlework is often underappreciated among fine arts and crafts,
yet the tangible and familiar textiles have a way of conjuring up
emotions and memories. Many of the items now on view have never been
publicly displayed before, and they reveal an intimate portrait of
Portsmouth’s past.
Rather than show the best side of the garments, some are
inside-out to show the work that went behind them. Clothes were patched
as needed and let out as children grew. A mother’s dress was cut and
sewn again to fit her daughter. Different types of stitches reveal
intentions. Some are for ornament, while others are necessary to the
construction, and the hasty ones were quick alterations.
The underside of a quilt, with hundreds of tiny fabric hexagons
sewn together, reveals handwritten notes and advertisements that were
used to stiffen the material. Two crazy quilts on display are worthy
attention getters. They are in excellent condition, though made in the
mid to late 1800s.
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Thursday, 19 March 2009 |
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blooming silk in York
The York Art Association will mark the start of spring with a
colorful display of silk and watercolor works by local artist Sue
Wierzba. The exhibit, called “Bloomingsilk,” begins with an opening
reception at the gallery on Friday, March 20 from 5 to 7 p.m.
Wierzba began working with dyed silk in 2006, combining the
material’s vibrant colors with its unique texture and weave. She also
paints with watercolors, specializing in flowers, landscapes and
seascapes. An avid gardener, her work is meant to translate the fresh
and ever-changing subjects of nature. The exhibit will include about 35
images, plus a couple of dozen hand-dyed scarves.
Wierzba moved to York from Georgia last year with her husband
Dennis. She will offer a free silk painting workshop at the gallery on
Saturday, March 21 from 2 to 4 p.m. She will also hold an all-day,
hands-on silk workshop on Saturday, March 28 from 9 a.m. to 4 p.m. The
cost of that workshop is $50, which includes supplies. Wierzba plans to
offer additional silk painting classes in the fall.
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Friday, 13 March 2009 |
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exhibit benefits AIDS Response Seacoast
A portion of the proceeds from the sale of paintings by
Provincetown artist Laurence Young at the Banks Gallery in downtown
Portsmouth will benefit AIDS Response Seacoast. The exhibit, “Paintings
of Provincetown in Summer,” will run through Saturday, April 4.
An artist reception will be held on Friday, March 13 from 5 to 7 p.m. The suggested donation for the reception is $20.
AIDS Response Seacoast is a non-profit, community-based service
organization dedicated to providing education, assistance and advocacy
for people affected by HIV and AIDS. It is based in Portsmouth and
serves the greater Seacoast community.
The Banks Gallery is located at 420 Court St., Portsmouth.
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Friday, 13 March 2009 |
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Portsmouth Pearl opens under new management; Center for Community Cultureand Change quickly closes
There’s good news and bad news about the newest arts and cultural venues in Portsmouth.
First the bad news: The Center for Community, Culture and Change
shut down within a month of opening in downtown Portsmouth. The
organization was founded by Troy Esby just last month, offering a space
for classes, performances and other cultural events. It was located at
40 Pleasant St., in the basement of a former federal building at the
corner of State and Pleasant streets.
Many of the scheduled events and classes had a new age or
otherwise spiritual theme. With a network of people behind it, there
were several events planned at the center, including introductory
classes to holistic medicine and journeying and spiritual movie nights.
The city closed down the center because of a parking ordinance,
according to a sign on the door and the business’s Web site. The center
claims it could not continue to do business until the parking ordinance
fee was paid in full, which could take up to three weeks to process.
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Thursday, 19 February 2009 |
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Web site gives bigger audience to small art
The
Atom Group, a Web site development agency in Portsmouth, has built a
new user-friendly Web site for local art gallery Nahcotta, putting the
Enormous Tiny Art Show online.
The site,
www.enormoustinyart.com, showcases Nahcotta’s biannual event, allowing
visitors to easily view the artwork, research the artists, see
real-time inventory updates and purchase original artwork online.
“We
want everyone to experience the thrill of owning their own artwork,”
said Deb Thompson, owner of Nahcotta, in a press release. She explained
that the show, which has artwork measuring 10 by 10 square inches, was
created to make buying original artwork more affordable and realistic.
The event has gained momentum over the years and the Web site expands
the experience, making the art accessible to people who may not be able
to visit the gallery in person.
The site uses an application
that provides an inventory status so online shoppers can see what’s
still available for purchase, solving the challenge of updating.
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Thursday, 19 February 2009 |
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Hope poster fuels copyright debate
As a freelance
photographer covering Capital Hill and last year’s presidential
campaigns, Mannie Garcia saw the chin-up image of Barack Obama in
“Hope” posters daily—without realizing it was his photo that inspired
it.
Garcia takes hundreds of photographs on assignments. This one
was taken for the Associated Press at a conference on human rights.
Los Angeles-based street artist and graphic designer Shepard
Fairey lifted the photo from the Internet and used it to create the
poster that became a symbol of unity for the grassroots campaign behind
the Obama election. As is typical of Fairey’s artwork, many posters
were hung or stenciled in public places and otherwise given away, but
some were sold.
After the source of the image was revealed, the AP sought a
negotiation in which proceeds from the sale of the posters would
benefit journalists who suffer losses due to natural disasters and
conflicts. But Fairey and his company, Obey Giant Art, with the help of
Stanford Law School’s Fair Use Project, sued the AP in an effort to
disprove assertions of copyright infringement.
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Thursday, 05 February 2009 |
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local artist Wen Redmond honors Obama with quilt exhibited near D.C.
New
Hampshire was undergoing a movement in the early 1970s that had nothing
to do with the social and political change most people associate with
the time.
It was an art quilt movement. A new appreciation for the old
craft of quilting was probably inspired initially by the bicentennial
celebrations of many towns, but developed as an art form thanks to
several major gallery exhibits.
Wen Redmond has been a fiber artist since 1973, when she made
her first intuitive pieced art quilt. But, for the first time, she
recently found inspiration in politics.
The Rochester artist, who works from a studio in the Salmon
Falls Mills in Rollinsford, has a new piece in an exhibit titled
“President Obama: A Celebration in Art Quilts.” It runs from Monday,
Feb. 9, to Thursday, March 5, in the main gallery of the Morris and
Gwendolyn Cafritz Foundation Arts Center in Silver Spring, Md.
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Thursday, 05 February 2009 |
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meet the mill artists in Dover
The Galleries at One Washington Center will feature a month-long “Who’s Who in the Mill” event beginning Saturday, Feb. 7.
During the past couple of months, several new artists have moved into
the building and joined the Dover Mill Arts Collaborative, said gallery
curator Daisy Adams, a painter. The show will introduce the new artists
and also feature some previously existing tenants in the Picker
Building.
There are now more than 20 artists in the mill, nine of whom
will participate in the show. Each artist will display one piece that
represents their work, along with a brief biography and description of
their art, and contact information.
In her artist statement, illustrator and painter Gretchen
Hatfield calls Dover “a comfortable, lively, friendly and art-conscious
town full of promise.” She moved to the city last fall.
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Friday, 30 January 2009 |
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CATA relocates to Dover
The Cocheco Arts and
Technology Academy moved recently from the woodsy setting of Barrington
to the restored mill building at One Washington Center in downtown
Dover.
January 26 marked the start of the second semester
of the school year, but applications are still being accepted, said
CATA interim director Christy Cloutier-Holmes. She said the new
location allows for growth at the 60-student charter school, a college
prep school that integrates arts and technology into the curriculum.
The
school also hosts many cross-curriculum arts events, she said. For
instance, when a play is arranged, art students make the set, music
students write and perform the score, and theater students perform as
actors.
Students at the school have the opportunity to take
more art classes than at a typical public school, she said, and they
can use their artistic talents in other classrooms. An evidence-based
grading system allows a student to be creative when completing an
assignment.
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Wednesday, 12 November 2008 |
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Congress Street Gallery fits into downtown Portsmouth
Some
may be reluctant to embrace the Congress Street Gallery, since it is
only designated as half of the Green River Silver Company’s space in
downtown Portsmouth, while the other half is a jewelry store. But it
turns out to be an appropriate setting. This art gallery is a real gem.
The gallery at 75 Congress St., which opened roughly a year ago,
is owned by brothers John and Dan Goldman. John is more focused on
jewelry and Dan on art. They also own locations in Rhode Island, home
to the gallery’s three featured artists this month—Marjorie Ball, Dora
Atwater Millikin and William McCarthy.
This month’s group show, “Landscapes by Congress Street
Regulars,” runs until Thursday, Dec. 4. It opened on Nov. 7 in
conjunction with the city’s monthly Art ’Round Town event. Curator
Carol FitzSimonds filled the space with both established and emerging
artists who paint the way they see the world.
Marjorie Ball garners attention with rich colors in bold
combinations. Her technique is soft with some blurred edges, like a
distant dream. Most of her work on display holds only manmade
structures in a natural setting, except for one with people relaxing
outside a café in warm weather. The most magical of her paintings is
“After Dark,” an elongated rectangle that is mostly midnight blue. To
the right side, a hint of a house on the water’s edge is aglow in
orange, perhaps the reflection of a campfire.
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Thursday, 18 September 2008 |
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York Art Association now exhibits year round
The York
Art Association typically closes the gallery after its fall exhibit,
but this year it will remain open through the winter.
The number of people who attended the opening reception of the fall art
show on Friday, Sept. 12, justified its commitment to staying open year
round with more exhibits and other community events. Diane Servis, the
Association’s secretary, said art and writing workshops and
performances are planned. “It’s going to fly,” she said.
The fall show opened in conjunction with Art in the Park,
directly across from the gallery on Route 1A at Moulton Park in York
Harbor, Maine. The one-day event happened on Sept. 13, but the fall
show will run through Oct. 5, featuring paintings, photos, pottery and
jewelry.
There are about 180 members in the York Art Association,
accounting for a diverse show. It was judged by Mary Harding, curator
of the George Marshall Store Gallery, part of the Museums of Old York.
First place went to Donna Sabaka for a watercolor called “Long Sands.”
She used a delicate and precise hand to paint the rocky shoreline in
cool blues and gray.
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Thursday, 11 September 2008 |
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Art ’Round Town rolls to first Friday
On the sidewalk
outside Three Graces Gallery in downtown Portsmouth, a crowd gathered
on Friday evening as Barbara Poole took photos of adults getting
reacquainted with a hula hoop.
Poole, a Boston artist, attempts to snap photos at the moment
when people begin to overcome their self-consciousness and get into the
groove. “Something magical happens,” she said, as if people are
transported back to childhood. She only paints the photographs that
capture this moment.
The collection is called “The Redemptive Power of the Hula
Hoop,” and Poole plans to paint 100 of the miniature portraits. The
backgrounds shine golden and the hula hoops sparkle with gems. A dozen
of them are hanging at Three Graces in a show that opened on Sept. 4 in
conjunction with Art ’Round Town, the monthly Portsmouth art walk now
held on the first Friday of the month.
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Thursday, 04 September 2008 |
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meet the artists of Overnight Art
In celebration of
the summer-long Overnight Art exhibit in Portsmouth, Art-Speak is
holding a “Meet the Artist” event on Saturday, Sept. 6 from 11 a.m. to
2 p.m. The six Overnight Art participants will be stationed by their
outdoor installations to answer questions from the public.
To encourage school-aged children to interact with the artists,
Art-Speak and Izzy’s Frozen Yogurt & Ice Cream have planned a
scavenger hunt. It will require children to visit each of the six art
installations and find the answers to questions posed on a form, which
will be available at each artist’s station. Completed forms can be
returned to an artist in exchange for an Izzy’s certificate for a kiddy
cone.
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Friday, 29 August 2008 |
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artisan marketplace available
A retail shop at 503 Central Ave. in the heart of downtown Dover is transforming itself into an artisan marketplace.
Cynthia
Ouellette, owner of Cynthia Designs Studio, is offering four retail
spaces inside her store to established local artisans and craftspeople
who are interested in testing the retail waters and looking to build
brand recognition.
Ouellette already offers her own
hand-crafted clothing line and interior design items at the shop, where
she works daily at the sewing machine in the front of the store. The
open space inside invites a more bustling atmosphere, she said. When
the spaces fill up, “it will become a destination spot.”
Spaces
measure about seven by six feet and rent for $100 to $175 per month,
plus 10 percent of sales to cover administrative fees. Full vendor
guidelines are online at www.cynthiadesignsonline.net.
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Wednesday, 30 July 2008 |
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The 57th annual Ogunquit Art Association auction at the Barn Gallery will be held on Saturday, Aug. 2.
Auctioneer Hap Moore will take bids on paintings, graphics,
photographs and sculptures by members of the Art Association, the
area’s oldest professional artist organization. A percentage of the
proceeds go to the Ogunquit Arts Collaborative, a non-profit
organization that owns and administers the Barn Gallery. Artists also
have the opportunity to donate work with 100 percent of the sale price
going back to the Collaborative.
“The auction is our biggest event of the summer,” said gallery
manager Marie Gallo. She said it’s an opportunity for the community to
come see the gallery, meet the association members and learn more about
it, and maybe bring home a new piece of art.
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Thursday, 05 June 2008 |
The Button Factory’s main annual open studios event typically occurs during the first weekend of December. But art fans who can’t wait that long will have a chance to view a much smaller sampling of the building’s diverse offerings this weekend. Four resident artists at The Button Factory will open their studio doors from 5 to 9 p.m. on Friday, June 6, and from 11 a.m. to 5 p.m. on Saturday, June 7. The Spring Open Studio will feature jazzy, colorful works on paper by Roger Goldenberg; nature-inspired silver and gold jewelry by Elise Moran; representational acrylic and oil paintings by Aysen Aycan Orhon; and seascape and landscape oil paintings by Catherine Raynes. The free event takes place at The Button Factory, 855 Islington St., Portsmouth.
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Friday, 30 May 2008 |
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Overnight Art goes public in Portsmouth
Nestled in an
alley between busy shops and offices on Congress Street in downtown
Portsmouth is a pine room with birch saplings sticking out the top.
“You
look in the window and, first of all, you see the trees. You kind of
slowly realize you’re looking at your reflection like a mirror,” said
Jamie Calderwood, the Portsmouth artist who made the piece called,
“Inside/Out.”
It’s a reversal of the modern world, where
people are sheltered from the wilderness in their comfortable homes,
provoking meditations on the relationship between the man-made and the
natural environment.
“You’re placing something out in the
public realm that people don’t normally see,” Calderwood said. “It
changes their perspective or affects their daily lives.”
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Saturday, 10 May 2008 |
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art festivals in Dover and Rollinsford open doors to thriving arts communities
This
Saturday, May 10, Seacoast residents will have a chance to get to know
their local artists. Two studio buildings in Dover and Rollinsford will
open their doors to the public and invite families and art lovers to
explore their work space.
Dover’s first ever One Washington Center Arts Festival will be
held in two 19th century mill buildings from 10 a.m. to 3 p.m. on
Saturday. In the past 18 months, one of these two mills, the Picker
Building, has been transformed into a commercial space housing small
businesses and artist studios. The other mill will display a sneak
preview of exhibitions coming to the new Children’s Museum in
anticipation of its grand opening this summer in the Butterfield
Building, located next door.
Visitors to the Art Festival at One Washington Center will enjoy
open studio displays of the Picker Building’s diverse resident artists,
plus exhibits of 40 visiting artists from surrounding communities.
Mediums include film, photography, oil painting, sculpture, fine
jewelry and costume design. Face painting and other entertainment will
be provided by local musicians and dancers, as well as poetry readings
by students of the Cocheco Arts and Technology Academy. There will also
be art from local school children throughout the building, and
Terracotta Pasta will offer refreshments and sell merchandise.
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Friday, 02 May 2008 |
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remodeled Currier shows NH artists
Out of an almost
two-year remodeling project emerges a little gem of a museum—the new
Currier Museum of Art. The improved museum in Manchester has some
bright facets to show off. It has expanded its footprint by more than a
third, adding 33,000 feet of gallery space and ancillaries. The
renovations now enable the museum to host larger, nationally prominent
shows, such as “Andy Warhol: Pop Politics,” which is coming in late
September.
The introduction of five new galleries also means Currier will
be able to exhibit 50 percent more of its collection. The current
exhibit, “Celebrating New Hampshire Artists,” contains just about every
medium: painting, glass, sculpture, tableware, crafts, ceramics, fine
art furniture, wood engraving, prints, silver gelatin and giclée
photography. The work of New Hampshire artists will rotate through a
gallery dedicated to this concept for the next six months.
A large part of the Currier mission has been to collect and
display the work of New Hampshire artists, so this is a wonderful
opportunity to view comprehensive collections that have long been
mothballed. Currier is being generous with admission deals, allowing
kids under 18 to enter for free and offering free entry for everyone on
Saturday mornings.
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Thursday, 24 January 2008 |
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Overnight Art 2008 submissions sought
This year, when
May rolls around, flowers won’t be the only things blooming in the Port
City. Public art will also take root at various locations throughout
Portsmouth. Art-Speak, Portsmouth’s Cultural Commission, recently
announced its call for submissions to its public art contest, Overnight
Art 2008. The competition will culminate in a scattered-site exhibit of
public art from mid-May until the end of the summer.
“We’re recognizing, in a cultural and economic sense, the value
of arts to Portsmouth—to its community and as a way to draw visitors,”
said Sue Cobler, coordinator of Art-Speak. Applications for the
competition are available online and are due at Portsmouth City Hall by
Feb. 15. The competition and subsequent exhibit are funded by the New
Hampshire State Council for the Arts, anonymous donations and
sponsorship from local businesses.
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