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All Stories
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News - general
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Written by Matt Kanner
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Thursday, 03 April 2008 |
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public mulls Islington Street options
Imagine if
Islington Street were a one-way traffic corridor with a bike lane,
widened sidewalks and small trees along the roadway. Or what if the
massive parking lot at Plaza 800 were converted into open space above a
two-level underground parking structure? Supposing the street was
dappled with pocket parks, raised crosswalks, small parking areas and a
bus hub?
These were among the ideas pitched during a final public
workshop for the “Islington Street Improvement Action Plan” project.
The meeting, held at Portsmouth Public Library on March 27, concluded a
series of public feedback sessions aimed at determining what type of
Islington Street area residents would like to see. Consultants
Richardson and Associates, of Saco, Maine, used that feedback to devise
three loose concepts for improving the street. Those concepts were
presented to a few dozen residents last week, each of whom had a chance
to comment on their favorite ideas.
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Outside - general
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Written by Bill Trotter
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Thursday, 27 March 2008 |
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Long neglected and abused, Portsmouth’s North Mill Pond can’t get
healthy without help from the community. Not only have The Advocates
for the North Mill Pond answered the call, but they’ve also teamed up
with fifth grade students from New Franklin Elementary School to
monitor water quality and pond cleanup.
Now the two, in conjunction with the Hodgson Brook Restoration
Project, are asking local residents to attend their banquet Tuesday,
April 1, at the New Franklin Elementary School in Portsmouth. The
banquet will be a combination of informational messages—many of which
composed by the children—and celebration, to begin at 6:30 p.m. and end
around 7:30 pm.
The partnership between The Advocates and New Franklin Elementary
school was forged out of the need to provide local residents with a
basal level of knowledge regarding local watersheds.
“If you are going to start somewhere (in the education process),
you might as well start with the kids,” says Candace Dolan. As the
Hodgson Brook Restoration Project watershed coordinator, Dolan saw the
children as conduit to reach the community as a whole. She hopes an
early education will lead to a lifetime of sustainable practices, but
is also counting on the children to relay this newfound message to
their parents.
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Stage - general
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Written by Scarlett Ridgway Savage
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Thursday, 27 March 2008 |
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The people Generic Theatre usually have their ear to ground when it
comes to the cutting edge, the new, the hip and hot, or the really
unusual. This year’s production, currently onstage at the Players’
Ring, fits all three categories.
Edward Albee’s “The Goat, or Who is Sylvia?” follows the
playwright’s usual pattern of keeping the audience on the edge of the
seat, wondering what’s really happening—Captain Subtext is generally
the star of any Albee play, open sexuality has a strong supporting
role. In 1963, his play “Who’s Afraid Of Virginia Woolf?” was awarded
the Pulitzer Prize. However, the board’s advisory committee was so
horrified by the content of the play that they overruled the decision,
and no drama prize was awarded that year.
Albee dares to speak of things the rest of us do not. He will
always be celebrated for this, and he will always need to keep a
bodyguard close by because of it.
In “The Goat,” we have what seems your perfect happy Manhattan
family: parents Martin and Stevie (Alan Huisman and Helen Brock), still
madly in love after 22 years, and a happy, healthy 17-year-old boy
Billy (Camden Brown). Martin doesn’t let the fact that Billy has
recently proclaimed his homosexuality upset him—after all, as he and
his best friend since childhood, Ross (Mike Pomp), decide, it’s
probably just a phase.
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Art Show
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Written by Bill Trotter
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Thursday, 27 March 2008 |
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When Three Graces Fine Art & Furnishings owner Kim Ferreira puts
an art exhibit together, she hopes to reach all audiences with an
eclectic array of works. Typically, the back half of her gallery boasts
a bevy of styles and mediums while the front half displays a featured
exhibit. This month’s feature, “Warm Woolen Paintings,” most assuredly
will help her accomplish the goal of variety.
Tiffany Torre is a Vermont painter who, as she puts it, has been
“trying to find my identity.” Her search became deeply introspective
when she left the Northeast for college in Tennessee. Surrounded by an
unfamiliar culture and landscape, Torre drew comfort from her New
England roots, which prompted her artistic relationship with wool.
“We are covered eight to nine months out of the year,” Torre
explained in a recent interview, and wool provides “the feeling of
always being covered. I basically fell in love with the feel and
texture of the wool.” Her initial experimentation came in the form of
soft sculpture, a material primarily consisting of hand-dyed wool;
however, further familiarization with the material opened Torre’s eyes
to future possibilities.
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Tales from the Video Vault
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Written by Larry Clow
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Thursday, 27 March 2008 |
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NF Geria III-Produktion, 1980
starring: Catherine Mary Stewart, George Gilmour, Vladek Sheybal and Joss Ackland
written and directed by: Menahem Golan
the plot: In
the far-flung future of 1994, the world is under the control of
Boogalow International Music, a multinational conglomerate. Each year,
BIM owner Mr. Boogalow (Sheybal) hosts the World Vision Music Festival,
using it as an opportunity to recruit a new pop star for his evil
empire. But even Boogalow is surprised when Bibi (Stewart) and Alphie
(Gilmour), a sweet folk-rock duo from Moosejaw, Canada, win the
contest. Boogalow rushes to enfold them in his world, tempting Alphie
and Bibi with promises of money, fame, sex and drugs. While Bibi jumps
at the chance to become an international pop star, Alphie is hesitant,
experiencing a series of frightening visions just before signing the
contract. He refuses to sign, and so Boogalow exiles him to a life of
poverty and sadness. Meanwhile, Bibi gets wrapped up in the glamorous
life, with legions of fans and hangers-on surrounding her. As Bibi’s
career takes off, BIM slowly worms its way into controlling all facets
of society, forcing citizens to wear a BIM mark and participate in
daily exercise programs. Alphie meets up with Mr. Topps (Ackland), the
leader of a hippie enclave that shuns modern society and refuses to
submit to BIM’s control. As Alphie attempts to free Bibi from BIM’s
clutches, Mr. Boogalow sets into motion a plan to crush Alphie, Mr.
Topps and the hippies once and for all.
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Music - general
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Written by staff
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Thursday, 27 March 2008 |
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The renowned American Boychoir will fill St. John’s Church in
Portsmouth on Wednesday, April 2, and the group is encouraging local
boys in grades 3-7 to stick around for an audition after the concert.
No preparation or experience is necessary for the audition, but
auditioners should love to sing.
The American Boychoir’s performance will celebrate with music
from each of the choir’s seven decades, works highlighting contemporary
American composers, and selections from its new CD.
Children age 16 and under are admitted free. For adults, the
suggested donation is $15 per person, and for students and seniors it’s
$10. Tickets are available at the door. The concert begins at 7pm.
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Long Play
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Written by Liberty Hardy
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Thursday, 27 March 2008 |
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by The Fiery Furnaces
2003, Rough Trade Records
the sound: You never get a
second chance to make a first impression, and with its debut album,
“Gallowsbird’s Bark,” The Fiery Furnaces hit the ground running,
injecting its unique sound into the indie rock scene. On the album’s
first track, “South is Only a Home,” singer Eleanor Friedberger
talks/sings/chants the lyrics over her brother Matthew’s driving guitar
and drum beat, while in the background it sounds like someone’s kitten
is running across the piano. Eleanor actually sing-speaks the lyrics
over many of the songs, her smoky voice narrating the cacophony of
sounds that her brother supplies. Matthew’s guitar riffs and piano are
often accompanied by static, zips and whistles. “I woulda had a asthma
attack / If I seen the shark bite back,” Eleanor states in “Asthma
Attack,” a catchy number with bluesy guitar and a bass line that sounds
like someone is randomly grabbing the strings. “Tropical Ice-Land”
would make for the coolest Bacardi commercial ever, and “Bow Wow” has
the Quaaludy-feel of a theme to a ’70s sitcom. “Crystal Clear” includes
a thump to rival The White Stripes’ “Seven Nation Army,” plus the added
bonus of the chant, “Filthy, dirty, cloudy, muddy, messy, mucky,
crystal clear.”
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Cover Stories
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Written by staff writers
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Thursday, 27 March 2008 |
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RPM bloggers reflect on the trials and triumphs of February 2008
The mainstream music industry is filled with savage competition and
rabid money-grubbing, which has led to some damned ugly situations. In
a nasty demonstration of this trend, Kid Rock recently sucker-punched
Tommy Lee in the face. And remember when Axl Rose publicly challenged
Vince Niel to a rumble? For that matter, remember the Guns N’ Roses
song “Get in the Ring?” Here at RPM headquarters, however, we deplore
violence. The RPM Challenge promotes a sense of collective musical
camaraderie that has been reflected in countless blog entries on the
RPM discussion board. Musicians across the globe found creative unity
in the singular objective of writing and recording 10 songs or 35
minutes of original music in 29 days. Artists who were oceans apart
went through the same daily rigors as they attempted to balance their
RPM projects with day jobs, families and basic necessities, like eating
and sleeping.
The 2,400-plus participants who signed up this
year were propelled forward by a common motivation. The noncompetitive
nature of the Challenge, which offered no reward other than the
personal gratification of finishing, spurred determined participants to
support and encourage one another throughout the month, bolstering each
other’s spirits when they encountered inevitable setbacks, and
congratulating one another when they successfully laid down a track or
wrote a new tune.
Approximately 750 finished albums, all postmarked by March 1,
arrived at RPM headquarters in Portsmouth this year. Hundreds of
listeners will get their first chance to hear selected tracks from
those albums during the citywide listening party on Friday, March 28.
Festivities begin at The Music Hall before spreading to at least five
venues in downtown Portsmouth.
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Alan Chase's Jazz Universe
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Written by Alan Chase
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Thursday, 27 March 2008 |
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Two upcoming shows at The Press Room in Portsmouth are the focus for
this edition of The Jazz Universe. On Sunday, March 30, vocalist Chris
Humphrey will host a release event for his excellent debut recording,
“Nothing but Blue Sky,” accompanied by The Press Room Trio led by Ryan
Parker. The following Sunday, April 6, one of Boston’s legendary jazz
groups, The Fringe, will make its Press Room debut. Both shows begin at
6 p.m. and cost $10.
Chris Humphrey has long been one of the hidden gems of the
greater Seacoast music scene. A talented musician who could have gone
in a variety of directions, he chose to focus on being a jazz vocalist.
But he’s not the kind of vocalist who is content to sit back, sing the
lyrics and let the other musicians do all the work. Instead, Humphrey
strives to be an integral part of the ensemble, interacting with his
fellow players. It was this approach that led him to go with the
quartet format for his debut album.
“I finally decided on the quartet because I wanted to be the
‘horn,’” Humphrey said in a recent interview. The choice allowed him
the freedom to interact with the other players on the session, which,
in turn, allowed the whole session to have a freer atmosphere, “with
more room to roam around in the music,” as he describes.
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Music - general
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Written by Liberty Hardy
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Thursday, 27 March 2008 |
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This weekend, New Hampshire will again be blessed with the presence of
They Might Be Giants, founding members of the geek rock movement. (Geek
rock being code for “people who are brainier than us and play music.”)
Saturday, March 29, TMBG will play two shows at the Music Hall in
Portsmouth. The first concert is geared toward little geeks, as TMBG
will be performing their original children’s material, and then later
in the evening, they’ll rock the older crowd with favorites, plus songs
from their latest release, “The Else.” In preparation for the show,
we’ve compiled a list of information you may not know, to saturate your
brain, compiled from the countries mentioned in TMBG’s song “The
Alphabet of Nations” from “Here Come the ABCs,” an album of original
songs about the alphabet.
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From The New Hampshire
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Written by New Hampshire Staff
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Thursday, 27 March 2008 |
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electric cars to be driven by faculty and staff
UNH faculty and staff have the opportunity to test drive two
electric cars, thanks to a number of organizations concerned with the
environment, including UNH Energy and Campus Development, the Office of
Sustainability, and the UNH Energy Task Force in partnership with Maine
Electric Vehicles of Falmouth.
Starting on March 17, the cars, which are called Neighborhood
Electric Vehicles, will be driven around campus for two weeks to assess
the benefits of adding them to the Clean Fleet Program.
“Neighborhood Electric Vehicles are one potential niche market
alternative fuel vehicle that might be useful as part of the UNH-Durham
campus fleet,” said Steve Pesci, the Energy and Campus Development
project director for special projects.
The vehicles are being loaned by Maine Electric Vehicles of
Falmouth to be driven around campus, beginning at the center of campus
and going as far as West Edge. The test drives will simulate the 25 mph
average low-speed on-campus drive.
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In Brief
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Written by Patrick Law & Bill Trotter
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Thursday, 27 March 2008 |
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N.H. House moves along notable bills
Last week, there was a flurry of activity among New Hampshire
lawmakers, with the Senate and House sending along several bills to
each other. Global warming, marijuana, text messaging and negligent
hiking were among the issues addressed by the House and that will now
be taken up by the New Hampshire Senate.
House Bill 1434 commits New Hampshire to a 10-state regional
effort to cut greenhouse gas emissions. Approved 214-107, the Regional
Greenhouse Gas Initiative would allow New Hampshire to adopt its own
laws and regulations to reduce carbon emissions from power plants. The
bill would also establish an energy conservation and efficiency board.
Another bill passing from the House to the Senate is a 10-year,
$2.3 billion highway plan, which would shift focus from new
construction to projects that would improve existing roads and fix
troubled bridges. Under the bill, 89 red-list bridges would be replaced
or fixed over 10 years. Also, sections of Interstate 93 would be given
priority. Memorial Bridge in Portsmouth and the widening of the
Spaulding Turnpike would also be given priority.
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News - general
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Written by Patrick Law
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Thursday, 27 March 2008 |
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high prices are hurting local businesses
Oil isn’t the
only commodity inflicting sticker shock these days. Wheat prices have
increased dramatically over the last year, leaving many local business
owners struggling to adapt.
For Me & Ollie’s owner Roger Elkus, the price of wheat has
more than tripled in the last three months. He use to pay $11 for a
50-pound bag of wheat, but lately, he has had to shell out around $30
per bag.
Unlike larger bakeries, which buy their wheat a year in advance
and therefore enjoy a set price for the entire year, Me & Ollie’s
purchases flour as the need arises. The price they charge for a loaf of
bread reflects the most recent price they paid for a bag of wheat.
“Unfortunately, because we’re small, we have to react pretty quickly,”
Elkus said. When the price of wheat is up, Elkus charges more for
bread. Eventually, the bigger bakeries will change their price, too.
“They let the little guys pave the way for sticker shock, so they can
kind of ease their prices up,” Elkus said. “We have to go in
unprotected.”
The U.S. and parts of Canada remain the world’s largest
producers of high quality, high protein wheat. But in recent years,
Russia, Australia and parts of South America have emerged as
alternatives to the North American market. The growth of these markets
has paralleled the rising demand for wheat products in places like
India and China, where economic development has created a burgeoning
middle class with a taste for western foods.
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Art Show
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Written by Chloe Johnson
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Thursday, 20 March 2008 |
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two-person art exhibit on display at Nahcotta
It was accidental at first, the juxtaposition of artwork by Beth Pearson and Lillianna Pereira.
The two artists were among the many who had a few works featured
in the Enormous Tiny Art Show II at Nahcotta last year and, because the
pieces happened to be arranged alphabetically, they were right next to
each other.
Deb Thompson, owner of the art gallery on Congress Street in
Portsmouth, said both were well received and people wanted to see more.
“I thought they had a lot more to say, both of them, visually,” she said.
A two-person art exhibition featuring Pearson and Pereira is on
display at Nahcotta until Sunday, April 6. The artists have a different
way of expressing themselves, but Thompson says they share a similar
energy.
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Tome Raider
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Written by Liberty Hardy
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Thursday, 20 March 2008 |
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by Douglas Adams and Mark Carwardine
222 pages, William Heinemann Ltd., 1990
Few people like to be
preached at—especially when they have already taken it upon themselves
to read a book about a heavy subject, like endangered species, for
example. We already know the facts: Since our appearance on this
planet, humans have polluted and poached their way through all corners
of the world, destroying and eliminating thousands of different species
of animals, birds, insects and plants. In short, we suck. We know this.
But our simple little brains don’t want to feel guilty, they want to be
entertained. So why not take a man famous for writing funny books that
include aliens, the existence of which has yet to be proven, and let
him tell the story of creatures who may not exist much longer?
Enter Douglas Adams, most famous for his “Hitchhiker’s Guide to
the Galaxy” series. In 1985, Observer Colour Magazine commissioned
Adams and zoologist Mark Carwardine to travel to Madagascar and try to
glimpse a rare nocturnal lemur called an aye-aye, and then write an
article about their trip. Over a three-year period, their adventure
transformed into several journeys in search of endangered species,
which was subsequently documented for BBC radio and was later
chronicled in the book “Last Chance to See.”
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Food - general
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Written by Bill Trotter
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Thursday, 20 March 2008 |
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Stonyfield CEO to talk business in Portsmouth
There’s a
belief in many business circles that you can either focus on attaining
wealth or center your efforts on environmental issues—but you can’t do
both. Gary Hirshberg, chairman, president and CEO of Stonyfield Farm,
begs to differ. Hirshberg was one of the first to purposely build an
empire on a green philosophy. His new book, “Stirring It Up: How to
Make Money and Save the World,” describes the rise of Stonyfield’s
organic dairy products in the national marketplace. Hirshberg will
discuss his new book at Portsmouth’s RiverRun Bookstore on Thursday,
March 20.
Drawing from both his hardships and successes, Hirshberg’s book
is an attempt to inspire those who hope to improve the world’s
deteriorating ecosystem while still making money.
“For me, it’s been a long journey from youthful naïveté to aging
clarity, but every step, however difficult, has given me the pleasure
of discovering how nature’s wisdom can become humankind’s salvation,”
Hirshberg writes in the new book.
Stonyfield Farm’s journey began in the early 1980s, when the company
was established as an organic farming school based in Wilton, N.H. The
initial mission was to teach sustainable farming practices, but this
changed after a few serendipitous turns of fate.
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Tales from the Video Vault
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Written by Larry Clow
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Thursday, 20 March 2008 |
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PMS Filmworks, 1987
starring: Rick Burks, Carl Crew, Lisa Elaina and Drew Godderis
directed by: Jackie Kong
the plot: When they were
children, brothers George (Crew) and Michael (Burks) Tutman watched as
the police gunned down their deranged uncle Anwar (Godderis), a
psychotic slasher responsible for the deaths of a number of young
women. But before he died, Anwar asked his nephews to carry on his work
when they got older. As the boys would discover, Anwar’s “work”
centered on sacrificial murder. His goal: to kill and harvest the body
parts of young women in order to resurrect the ancient goddess Shitar
and unleash her upon the earth. To keep the family tradition alive,
George and Michael open up a vegetarian café in Hollywood, where they
pick unsuspecting patrons to be their next victims. Guiding the boys is
the disembodied brain of Anwar, stuck in a jar and hooked up to a
speaker so he can communicate his diabolical plans.
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Film reviews
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Written by Larry Clow
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Thursday, 20 March 2008 |
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rated R
“Doomsday” could have easily been billed as
“Grindhouse 2.” A mishmash of bits from the last 25 years worth of
post-apocalyptic flicks, “Doomsday” is derivative, but fun. Part “Mad
Max” and part “Escape from New York” with a dash of “28 Days Later,”
“Doomsday” is like downing a dozen Twinkies and drinking a gallon of
Mountain Dew. It’s a momentary indulgence in excess that’s thrilling
but not necessary to repeat.
The end is nigh in “Doomsday,” and, this time around, a killer
virus is the agent of the apocalypse. First showing up in present-day
Scotland, the virus ravages the country and kills hundreds of thousands
of people. With no cure in sight, Great Britain decides the best way to
contain the virus is to wall off Scotland and leave any survivors to
fend for themselves. Three decades later, the virus surfaces again in
London—along with evidence that some unlucky souls are still alive and
kicking in Glasgow. Major Eden Sinclair (Rhona Mitra), who, as a child,
got out of Scotland just before it was walled off, is assigned to
accompany a crack military team into the blasted country and retrieve
one of the survivors in order to find a cure for the virus.
As is usual with an impending apocalypse, complications arise for
Sinclair and her team, this time in the form of a pair of warring,
barbaric societies. Sol (Craig Conway), a mohawked maniac who wants to
lead his people over the wall and into England, leads one group.
Meanwhile, Kane (Malcolm McDowell), a former physician who tried to
cure the virus, keeps his group holed up in an old castle in the
countryside, intent on repelling “impure” invaders from beyond the wall.
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Film - general
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Written by Bill Trotter
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Thursday, 20 March 2008 |
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“Gravityland” takes viewers on an online journey
The
Internet has diversified to offer numerous forms of interactive
entertainment, including many Web-only TV series. John Herman’s new
project, “Gravityland,” launched on March 3, fits that category, but
that does little justice to his creative foresight.
“I feel like I’m putting together a lot of things at the same time,” Herman said with a chuckle.
If you have already made the trip to www.gravityland.com, you
understand what he means. The “Web series” is a set of five- to
seven-minute episodes, but that’s just the beginning.
Viewers can interact with the show’s actors and writers through
the Internet and make suggestions as the plot unfolds. “There is always
some way you are interacting with the show,” said Herman, who has spent
much of his life as an improvisational actor. “It gives me an
outlet.I’m really into collaboration.”
Each show will be a mixture of Herman’s loosely scripted
material and whatever twists viewers choose to offer. So you might
actually want to stick around for the credits.
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Music - general
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Written by Matt Kanner
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Thursday, 20 March 2008 |
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Biddy Mulligan’s Wednesday night series ends after 11-year run
The
evening’s lineup began shortly before 8 p.m. on Wednesday, March 12,
with vocalist Kathleen Soldati and guitarist Curt Bessette executing a
lusty performance of a Nina Simone classic.
“Do I move you, are you willin’ / Do I groove you, is it thrillin,’” Soldati crooned.
The red-headed singer, who later offered renditions of The
Beatles’ “When I’m 64” and Janis Joplin’s “Turtle Blues,” had never
sung publicly until she stepped up to the mike at Biddy Mulligan’s two
years ago, according to Bessette. Since then, she has become a regular
fixture of the Wednesday night open mikes in Dover. Judging from the
way she belted out the lyrics, it seems her confidence has grown.
On this particular Wednesday, the open mike sign-up sheet was
totally booked. Following the opening tune, Bessette and bassist Alan
Fraser collaborated on Bob Dylan’s “You Ain’t Goin’ Nowhere.” Other
acts throughout the night would cover songs by Tim McGraw, The Allman
Brothers Band, Doobie Brothers, Neil Young, Stevie Ray Vaughan, Jimi
Hendrix and others. But there was also plenty of original material. A
four-piece punk band, which included a drummer and bassist with hot
pink hair, tore through a pair of fast-paced rock songs. Others played
softer acoustic tunes.
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Music - general
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Written by Matt Kanner
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Thursday, 20 March 2008 |
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a more experienced As Fast As unveils its second album
When
Portland, Maine-based rock band As Fast As signed with Octone Records
to release its first album, front man Spencer Albee saw it as a
tremendous opportunity. The label was already home to Maroon 5, and
Albee thought the contract would help him market his unique artistic
vision. But the resulting release, “Open Letter to the Damned,” fell
short of Albee’s high expectations.
“I was under the impression … that the artist made the records
and decided the direction of the band, and the record label would then
decide the best way to market that. But what Octone likes to do instead
was to be a little too active in the shaping of the sound, which never
works,” Albee said. “Executives have no business shaping music.”
The singer, guitarist and keyboardist has since learned that if
you want something done right, you’re best off doing it yourself. The
band’s second album, “Destroy the Plastique Man,” was released
independently on March 11. Albee and his bandmates—guitarist Zach
Jones, bassist Hache Hodgkins and drummer Andrew Hodgkins—were able to
branch out and embrace a whole new galaxy of sounds. With synth-heavy
tracks, wildly diverse instrumentation and imaginative and playful
songwriting, the album takes a sharp left turn from the straighter rock
edge of the group’s debut. The result is a deliciously fresh and
innovative disc.
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