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All Stories
Harold and Kumar Escape from Guantanamo Bay
Film reviews
Written by Larry Clow   
Friday, 02 May 2008

rated R

Once you’ve gotten high and gone on a mind-bending odyssey to White Castle, the only place left to go for some extreme strangeness is Guantanamo Bay, a U.S. military prison camp that’s physically in Cuba but exists in a legal no-man’s-land, where the rules of the real world don’t apply. Throwing two high-strung stoners into the mix sounds like a recipe for some off-the-wall comedy, but “Harold and Kumar Escape from Guantanamo Bay” never really gets as weird as it should. There’s some pointed jabs at the war on terror and snipes at racial stereotypes amid all the dick and fart jokes, but the movie never gets as subversive as you might expect.

Hours after their fateful trip to White Castle, Harold (John Cho) and Kumar (Kal Penn) are onboard a plane bound for Amsterdam, where Kumar plans to enjoy all the legal weed he can handle and Harold plans to woo his dream girl, Maria (Paula Garces). When a paranoid old lady on the plane, already suspicious of Kumar because of his dark skin, spots him lighting up a homemade smokeless bong, she cries terrorism, and it’s not long before the hapless duo is locked up in Gitmo.
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Emerging Cinema brings independent film to Exeter
Film - general
Written by Bill Trotter   
Friday, 02 May 2008

Ioka will woo the Seacoast indie-film crowd

“It is a great way to bring in a new demographic,” said Roger Detzler, owner of Exeter’s Ioka Theatre. He’s excited about a new arrangement between the Ioka and Emerging Pictures, an independent film distribution company.

Over the past couple of years, Detzler had noticed increasing public demand for a venue dedicated to independent films. He saw the trend as a steady source of revenue, but couldn’t conjure up an appropriate business solution.

When Emerging Pictures contacted him two years ago, he was at first reluctant to adopt such a “quirky business model.” The two sides conversed sporadically, but Detzler remained uninterested until he was certain that Emerging Pictures would steadily progress into “a more marketable product.”

The deal was finalized a few months ago, and the Ioka began renovating its smaller downstairs screening room to accomodate a new entertainment system by early May. In all, the upgrades will cost over $20,000, as the room’s old 35-millimeter projection system is converted into a digital, high-definition system.
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Brooke Sofferman; David Thorne Scott and Mark Shilansky; Larry Braggs; Nuttree Quartet; Eliane Elias
Alan Chase's Jazz Universe
Written by Alan Chase   
Friday, 02 May 2008

It’s time for a roundup of recent CDs that have crossed my desk over the past few months, starting with a couple of discs from Boston-area artists who play locally with some frequency.

Brooke Sofferman’s “Fine Whines,” on Summit Records (www.summitrecords.com), is a very good outing that showcases Sofferman’s solid approach to drumming in a variety of settings, from solo to trio to full quintet. The drummer is ably assisted by Norm Zocher on guitar, Phil Grenadier on trumpet, Bruno Raberg on bass and Jerry Bergonzi on saxophone. Sofferman arranged or composed all the music on the disc, and, as one would expect from a drummer’s recording, the album is full of provocative and intricate rhythms and meters. The music primarily has an open modal sound that can start to seem redundant after a while, especially with 13 tunes on the disc. But Sofferman keeps things interesting with his propulsive drum work and his fine sense of interaction with the other musicians, especially Bergonzi’s inside/outside playing, which is a highlight throughout. There is an underlying sense of humor in the music that gives the recording an upbeat vibe, most notably on an outrageous version of “The Imperial March” from “Star Wars,” and an inventive arrangement titled “All Kashmir,” which combines elements of Miles Davis’ “All Blues” and Led Zep’s “Kashmir.”
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hillbilly rock
Music - general
Written by Matt Kanner   
Friday, 02 May 2008

The Molenes pack bluegrass and twang into new disc

The album begins with an instrumental bluegrass jam titled “Redemption.” The introductory track weaves strains of banjo and mandolin into a driving, rockabilly drumbeat, knitting together a timeless sound that follows the roots of American music. As the tune begins to fade, amplified feedback drowns out the jam, making way for the country-rock guitar riff of “There’s a Sufferin’.”

It’s a striking transition, and one that might surprise fans of The Molenes’ first album, “This Car Is Big.” Emerging more than 18 months after the debut disc, “Songs of Sin and Redemption” wraps together all the rootsy elements that define The Molenes’ style, from blues to bluegrass, rock to rockabilly. The band will unveil its new effort with a CD release show at The Press Room on Saturday, May 3.

“We feel like this is kind of more representative of what we’re like as a band now,” said front man Dave Hunter. “It really kind of says who we are more and it speaks to the kind of music we want to play.”
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400 years of shipping
Cover Stories
Written by Matt Kanner   
Friday, 02 May 2008

UNH’s Jeffrey Bolster rethinks our shamed maritime history

From the days when Native Americans paddled along the Piscataqua River and out to the Isles of Shoals on birch bark canoes, up through World War II, when the Portsmouth Naval Shipyard was churning out submarines faster than any other shipyard in the world, the Seacoast has enjoyed a rich culture around the construction of sea vessels. To this day, Portsmouth’s working seaport remains a vital part of the regional economy and identity.

But American maritime history, which has its roots in northern New England, has long been rife with inaccuracies. That’s according to Portsmouth resident Jeffrey Bolster, who co-authored the recent book, “The Way of the Ship: America’s Maritime History Reenvisioned, 1600-2000.” According to Bolster, an associate professor of history at the University of New Hampshire, the canonical view of the nation’s maritime history has focused almost exclusively on oceanic ships, and not enough on the domestic ships that have crisscrossed the country’s lakes, rivers and coastlines for centuries. The historical focus on deep water ships and the U.S. Merchant Marine belies the fact that America’s shipping trade has thrived for centuries in the country’s interior.

“In other words, the real story of waterborne commerce in America is a story of Americans trading with each other, of Americans using ships and tugs and barges to trade with each other,” Bolster said.
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Skyhaven debate takes flight
News - general
Written by Matt Kanner   
Friday, 02 May 2008

issue of airport ownership sparks turbulence in Rochester

A couple of months ago, it appeared that Skyhaven Airport was about to land in the hands of the Pease Development Authority. The Rochester City Council had deadlocked on a vote in February to take over ownership of the small airport on Route 108, failing to reach a consensus by its March 1 deadline. With the idea of city ownership apparently sunk, the state was poised to hand over Skyhaven operations to the PDA on July 1. But then the Council changed its mind.

On April 15, the Council voted to undo its February vote and reconsider ownership of the airport. State Sen. Jackie Cilley (D-Barrington) quickly amended a bill before the N.H. House to extend the deadline for a city decision on Skyhaven. If approved, House Bill 1168 would give the Council until May 30 to commit to owning the airport. If the Council fails to make that commitment, the N.H. Department of Transportation will negotiate a lease for the PDA to take over airport operations on July 1.

So … what caused the Council to reconsider?
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Portsmouth’s native bad boy
Stage - general
Written by Bill Trotter   
Thursday, 24 April 2008

Pontine performs ‘The Story of a Bad Boy’

In its day, “The Story of a Bad Boy” sparked a great deal of controversy, yet it has also been hailed as the work of a pioneering genius. Portsmouth’s Thomas Bailey Aldrich deviated from tradition when he published a semi-fictional account of his childhood in 1870. The content was unusual and risky, perking the curiosity of thousands of shocked readers.

Beginning on Friday, April 25, Pontine Theatre in Portsmouth will host an original adaptation of the revolutionary story. The events narrated in the book will be recreated by Greg Gathers and Margeurite Mathews, who have revised the content to fit the confines of a stage.

Gathers said adapting Aldrich’s book to the stage was easier than you might expect. The book is divided into stories about Aldrich’s childhood, narrated by the author as an adult. In the two-person performance, Gathers tackles the role of Aldrich, while Mathews portrays several other characters. At various points in the play, the pair uses 30-inch puppets, cutout illustrations, shadow puppets and projector video to recreate other characters and settings.

“Everyone who has seen rehearsal so far has said it’s a visual feast for the eyes,” Gathers said.
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got books you don’t want?
Literary - general
Written by Bill Trotter   
Thursday, 24 April 2008

Used and unwanted books, CDs, DVDs, videos and audio books can now be donated to the Got Books program. The Portsmouth Recycling Center and Got Books program have united by putting a donation container behind the Recycling Center on 680 Peverly Hill Road. The intent is to collect and redistribute items no longer needed by local residents. 

“The container in Portsmouth is solely benefiting Portsmouth by keeping waste out of the landfill and allowing for the reuse of items which are taking up space for residents and businesses in the city,” Got Books marketing coordinator Michelle Bushee wrote in an e-mail.
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‘Around the World on Two Wheels: Annie Londonderry’s Extraordinary Ride’
Literary - general
Written by Josh Pierce   
Thursday, 24 April 2008

by Peter Zheutlin, Citadel Press, 2007, 224 pages

It has all the elements of a tall tale: Two wealthy, Boston sugar merchants make a high-stakes, $10,000 bet, challenging an inexperienced young woman to ride a bicycle around the globe, starting with nothing but the clothes on her back. The cyclist is also tasked with earning $5,000, without accepting any charity, before returning to Boston in 15 months or less.

On June 27, 1894, a young Jewish housewife left Boston’s West End tenements in an attempt to become the first woman to ride a bicycle around the world. It was the first bicycle Annie Londonderry had ever owned—a 42-pound Columbia. She wore cumbersome long skirts, which were the accepted women’s clothing of the time, and carried nothing else with her. A new book by author Peter Zheutlin documents Londonderry’s historic adventure.
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liquid summer
Food - general
Written by Patrick Law   
Thursday, 24 April 2008

exploring the appeal of summer beers

Summer on the Seacoast is a fine mix of sultry heat, ocean breezes and tasty barbeques. It’s enough to make you thirsty—thirsty for beer. Beginning each spring, a number of local and regional breweries produce seasonal brews that offer relief from the heat while complementing the feel and flavors of summer.

On Thursday, April 24, Redhook Brewery in Portsmouth will host a summer release party for its seasonal beer, Sunrye. As if the dawning of summer isn’t reason enough to celebrate, the kickoff party commemorates the impending season with kegs of Sunrye, live reggae and free giveaways.

Most of the events Redhook hosts throughout the year are concerts focused on the music. But the Sunrye party is “really focused on the beer,” said Jessica Watts, event coordinator for Redhook.
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a messenger for music
Features - general
Written by Alan Chase   
Thursday, 24 April 2008

jazz singer Sheila Jordan reflects on a life in jazz

Sheila Jordan is one of the living legends of jazz. Jordan, who appears at the Press Room on Saturday, April 26, as part of the Jazzmouth Jazz Festival, is an inventive singer who has performed with a wide variety of jazz greats, from Dizzy Gillespie and George Russell to Steve Kuhn and Tom Harrell. Passionate about bebop, Jordan received guidance from Charlie Parker early in her career and studied with the great teacher and pianist Lennie Tristano. She worked full-time by day while pursuing her musical interests at night, all while raising a daughter as a single mom. She has also taught at a number of universities and jazz schools, passing her knowledge on to new generations of musical aspirants. An upbeat person with a positive outlook, Jordan has a busy year ahead, including an 80th birthday celebration at Jazz at Lincoln Center in November. The Wire chatted with Jordan over the phone recently on a wide range of topics.
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the ‘convivial’ poet
Cover Stories
Written by staff   
Thursday, 24 April 2008

Billy Collins to headline Jazzmouth 2008

Since its inception in 2005, the annual Jazzmouth festival has managed to bring an array of talented poets and musicians into Portsmouth. Last year’s events included live performances from internationally recognized Romanian poet Andrei Codrescu and inventive jazz bassist Eric Mingus, son of the great Charles Mingus. Multi-instrumentalist David Amram, who has been performing with jazz and literary legends like Jack Kerouac for more than 50 years, has made it to all three Jazzmouth celebrations and will return in 2008, joining this year’s headliner, former U.S. Poet Laureate Billy Collins. The 67-year-old Collins, who has published eight collections of poetry and has also served as poet laureate of New York state, is known for his rejection of standard poetic forms and his retaliation against over-interpretation of poems. He is now a distinguished professor of English at Lehman College in the Bronx, where he has taught for more than 30 years. Collins will headline the Super Beat Night Extravaganza at The Music Hall at 8 p.m. on Friday, April 25. The following is an excerpt from an interview with Collins conducted by Chris Elliott on his radio show, “Culture Waves,” on 106.1, WSCA, Portsmouth Community Radio.
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a homecoming hideout
Music - general
Written by Matt Kanner   
Thursday, 24 April 2008

Film School joins Tiny Whales and Mosfet at Bourbon’s

When The Wire first caught up with Film School guitarist Dave Dupuis last week, he was in Baton Rouge, where he had been snacking on alligator meat prior to a show at a club called Spanish Moon. The next day, he and his four band mates were packed into their E350 Ford Super Duty van, on their way to New Orleans for another gig at a place called One Eyed Jacks. It was business as usual for Dupuis, who has been gigging and touring with various bands since the late 1990s. But this tour has a special twist: it will allow Dupuis to play a live show in his native New Hampshire for the first time in about 12 years. Film School will be at Bourbon’s in Portsmouth on Tuesday, April 29, along with local bands Mosfet and Tiny Whales.  

Dupuis grew up in Dover and attended the University of New Hampshire, graduating in 1996. Toward the end of his college years, he formed a band called Blackout Fighter Pilots, which gigged regularly at venues like The Elvis Room and The Muddy River. He moved to Boston in ’97 but managed to keep the band together until the West Coast unexpectedly beckoned.
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The Burning
Tales from the Video Vault
Written by Larry Clow   
Thursday, 24 April 2008

Filmways Pictures, 1981
starring: Brian Matthews, Leah Ayres, Brian Backer and
Lou David
directed by: Tony Maylam

The plot: Cropsy (David), the caretaker at Camp Blackfoot, is targeted one evening by a group of mischievous campers. Angry at Cropsy for his bad attitude and prodigious drinking, the campers plant a human skull with a lit candle on a table next to his bed. Cropsy awakens, panics and is soon engulfed in flames. The campers run off, horrified at their prank gone awry, while Cropsy is left to recover from his wounds. Five years later, Cropsy is released from the hospital, his face and body hideously disfigured. Where does he go but Camp Stonewater, a new camp built across the river from the former site of Camp Blackfoot. There, Cropsy finds a new batch of campers, led by counselors Todd (Matthews) and Michelle (Ayres). As Cropsy lurks about, one camper, Alfred (Backer), takes all the blame for the weird happenings around camp.
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Forgetting Sarah Marshall
Film reviews
Written by Trevor F Bartlett   
Thursday, 24 April 2008

rated R

To get a good idea of what to expect from the new break-up comedy “Forgetting Sarah Marshall,” look no further than it’s star and writer, Jason Segel. A veteran of Judd Apatow’s televised “Freaks and Geeks” school, with a brief stint on “CSI,” you may have last noticed him as Seth Rogan’s towering slacker friend in “Knocked Up.” Like many of the men on Apatow’s crew, he comes across as a doughy, needy, ne’er do well, with a sly comic outlook and an undeniable attraction to smokin’-hot ladies. This movie is a lot like that.

In writing the film (which Segel admits is 80 percent autobiographical—including having worked on a musical production of “Dracula” written for puppets and having once been mercilessly dumped by a girl while completely naked), he’s put himself completely on the line. There’s a clear and heartfelt sincerity to all the characters, like ’em or not, which connects the audience to their plights and buoys the comedy in a way few other film producers have even attempted.
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butting heads in Dover
News - general
Written by Matt Kanner   
Thursday, 24 April 2008

union employees at Dover schools fight for their jobs

A small group of local union employees took to the streets of Dover on April 13, marching and waving signs in front of City Hall on Central Avenue. The group, consisting of members of the American Federation of State, County and Municipal Employees Local 2932, was protesting the Dover School District’s decision to privatize custodial services at city schools. The decision means that 30 to 35 union employees who currently staff the schools will be out of a job when their three-year contract expires on June 30.

The demonstration was quickly broken up by police, who said the group needed a permit for such a public congregation. Union members tried to reschedule for the following Monday, but they were told that the permit would have to be approved by the City Council, which would not convene again until Wednesday, April 23.

“Apparently, you can’t disagree with city government unless city government gives you permission to disagree with them,” said Brian Lamirande, a representative for the New Hampshire office of AFSCME Council 93.
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Market Street makeover
News - general
Written by Patrick Law   
Thursday, 24 April 2008

Portsmouth considers streetscape improvements on Market Street Extension

The Islington Street Action Plan has received a lot of headlines lately. But another corridor leading into Portsmouth is also slated for big changes. A public input session was recently held to discuss the Market Street Extension Streetscape Improvement Plan.

Market Street Extension runs from Kearsage Way, under Interstate 95, to Deer Street. Dubbed a “gateway” into Portsmouth, it is the main access route to the central business district and home to the city’s working waterfront. Nearly 16,000 vehicles enter Portsmouth via the road each day, passing by such attractions as the Greater Portsmouth Chamber of Commerce Visitor Center and the Albacore Submarine Museum. On April 14, roughly 35 people gathered at Portsmouth Public Library for the unveiling of conceptual designs created by the Cecil Group.

Sprucing up the aesthetics of this four-lane corridor is a primary focus of the project. Officials also hope to improve signage, provide traffic calming elements and improve safety conditions for cyclists and pedestrians. The improvements are also meant to highlight views of the Piscataqua River and North Mill Pond.
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ham and beans, music and humor at Garrison Players; Dover's Bell Center
Stage - general
Written by Bill Trotter   
Friday, 11 April 2008

ham and beans, music and humor at Garrison Players

Many New Englanders take pride in their roots, and the Garrison Players Arts Center will attempt to manifest that pride with an evening of traditional pleasures. The Rollinsford venue hosts a “Down Home Yankee Ham and Bean Supper” on Saturday, April 12, beginning at 6:30 p.m. Not only will the evening feature home-cooked food, but it will also include the comedic stylings of author and humorist Rebecca Rule and bluegrass music from Mark Wiley and his band of friends.

“The dinner is a country feel. It is home cooking. It is simple, plain, good food,” said Mary Ruth Lynn, director of programming for the Garrison Players. She said Rule’s humor and Wiley’s music have a similar feel.

Plans for the evening were partially modeled after the old fashioned design of the Garrison Players’ building at 650 Portland Ave., which was originally constructed as a Grange hall. “It seems like a good fit,” said Lynn.

 

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staging a love triangle
Stage - general
Written by Scarlett Ridgway Savage   
Friday, 11 April 2008

‘Last Night’ at The Players’ Ring

Orson Welles was famous for saying a lot of things, but my personal favorite quote is, “No one likes to leave a theater feeling empty."

In newcomer Carolyn Gallo’s play, “Last Night,” audience members feel so many things that, when they leave, they feel as though they just stepped off a rollercoaster—lightheaded and slightly nauseated. And just because they may have seen one or two of those dips coming doesn’t mean their stomachs don’t get thrown right into their throats. The feeling is jolting, horrifying, hopeful, agonizing and delicious. This rookie knocked it out of the park on her first try.

“Last Night,” which runs through Sunday, April 20 at The Players’ Ring in Portsmouth, takes you on a journey that begins as a well-traveled path. You already know these characters: You’ve dated them, they’re your brothers, and the klutzy, well-meaning but unconfident lead character reminded me of the young woman I once stared at in the mirror. Oh, yes, I knew these characters. I remember the arrogant but gorgeous lady’s man, and I remember the obsessive/compulsive youth who refused to realize his potential because he might have failed—or succeeded.
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fishing for a solution
Food - general
Written by Patrick Law   
Friday, 11 April 2008

stakeholders discuss male-only dogfish fishery

A series of regulations were established in the 1990s to help restore the over-fished spiny dogfish population. The small schooling sharks made a successful comeback, but, in the process, the ratio of male to female dogfish shifted dramatically. Males continue to outnumber females and are competing for food with other important fish species.

“Typically with dogfish, if you talk about a population in equilibrium, you want to see a two-to-one ratio—two males to every one female,” said Ken La Valley, commercial fishing specialist with New Hampshire Sea Grant. “What you’re seeing now is a five or six to one ratio. Because of that, it’s out of balance.”

On April 2, a meeting was held at the Gulf of Maine Research Institute in Portland, Maine, to discuss the potential for establishing a male-only dogfish fishery. Joining that meeting via videoconference was a smaller gathering hosted by N.H. Sea Grant at the Seacoast Science Center in Rye.
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five lifetimes in art
Art Show
Written by Marie Gallo   
Friday, 11 April 2008

‘New Hampshire Originals’ unveiled at the Lamont Gallery

The current exhibition at the Lamont Gallery at Philips Exeter Academy shows off New Hampshire’s diverse artistic population. The show is a refreshing medley of sculptures, paintings and furniture designs by artists who have been deemed “Lifetime Fellows” by the New Hampshire State Council on the Arts. In order to earn that title, an artist must have received at least three grants from the New Hampshire State Council on the Arts since 1981, the year the award took shape. Five of the 10 Lifetime Fellows are exhibited in “New Hampshire Originals,” including James Aponovich, Carol Aronson-Shore, Jon Brooks, James Coates and Gary Haven Smith. The exhibition is a wonderful reflection of dedicated, talented artists living and working in our very own Granite State.

Since 2006, James Aponovich has been New Hampshire’s artist laureate, a position only three others have ever held. The UNH grad takes a realistic approach to his still life paintings of brightly colored flowers and fruits. He places his subjects upon a stone windowsill overlooking an Italian countryside, much like the composition of Leonardo da Vinci’s “Mona Lisa.”
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