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Reviews listed alphabetically
"A History of Violence"
Written by Larry Clow   
Wednesday, 05 October 2005

“A History of Violence” is a bizarro-world action movie. You wish the gunshots would end, the blood stop flowing and the hero cease killing bad guys long enough to sit down and eat dinner with his family. The hero isn’t much of hero, the violence is kind of gross and it all just feels so awkward. It’s a giant cinematic sleight of hand from Cronenberg, dropping us into a fantastically violent world only to pull back the curtain and show the very real consequences of those fantasies.  

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"Corpse Bride"
Written by Steve Brennan   
Wednesday, 28 September 2005

Stop-motion animation will always have something over Pixar and Co. Painstakingly difficult to do, I’ve always found it had a greater presence and realism than the admittedly brilliant output of Silicon Valley’s efforts. One of my fondest memories as a child was watching Ray Harryhausen movies on rainy Sunday afternoons. Who can forget the exhilarating climax of “Jason and the Argonauts,” as the intolerably bland (and, in Jason’s case, badly dubbed) good guys fight off Harryhousen’s legion of deadly skeletons. Or “Clash of the Titans,” where a scantily clad and perfectly quaffed Perseus minced around Medusa’s lair, keen to avoid fatal eye contact with her deadly glare. Great stuff—makes Nemo look like, well, a kids’ movie.

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"Good Night, and Good Luck"
Written by Dave Karlotski   
Wednesday, 16 November 2005

“Good Night, and Good Luck” is elegant, gripping and, at 93 minutes, brief to the point of poetry. Directed by George Clooney and originally conceived as a live-broadcast TV special, it bears many similarities to 2000’s Clooney-produced live-broadcast “Fail Safe.” Both are black-and-white Cold War dramas with themes that remain powerful today, but where “Fail Safe” tells a fictional story about a U.S. nuclear bomber mistakenly dispatched to the Soviet Union, “Good Night, and Good Luck” retells with great, sparse precision a story that is all too true—that of legendary radio and television journalist Edward R. Murrow’s duel with Sen. Joseph McCarthy.

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"Just Like Heaven"
Written by Larry Clow   
Wednesday, 21 September 2005

“Just Like Heaven” should be easy to like. After all, it stars Reese Witherspoon and Mark Ruffalo, both of whom are pretty likeable and easy on the eyes. It also co-stars John “Napoleon Dynamite” Heder as a dorky psychic and Donal Logue as a dorky psychiatrist, and they’re both pretty friendly guys, even though they’re not as attractive as the film’s stars. It should be a pleasant way to waste 90 minutes, but “Just Like Heaven” is also a romantic comedy, a genre that, as a whole, is monumentally difficult to even tolerate, much less enjoy. “Just Like Heaven” is hampered not only by its own genre, but also by an unintentional political statement buried in a lame plot twist, one that makes it hard to watch without cringing.

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