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Field Recordings
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Written by Matt Kanner
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Thursday, 05 June 2008 |
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Over the years, Bob Weir has accumulated more than a touch of gray.
The icon’s beard and bushy mustache are peppered with shiny silver and
white, and waves of gray flow through his thick hair. Watching him
onstage, the guitarist and singer at first looks like a hoary vestige
of his former self. But, in his eyes and in his voice, Weir still
manifests the spirit of a strange and beautiful counterculture that he
helped create more than four decades ago.
Although he was the youngest founding member of the Grateful
Dead, Weir has reached the ripe age of 60, making him the veteran
bandleader of RatDog. Formed in the mid-1990s, around the time of Jerry
Garcia’s death, RatDog has been satisfying hippie hangers-on for well
over a decade. On Saturday, May 31, the band returned to the Casino
Ballroom for a sold-out show on the beach. The crowd was elated and
rambunctious even before the music began, and at times during the
concert, the roars of approval reached an absolutely deafening pitch.
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Written by Matt Kanner
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Thursday, 15 May 2008 |
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In many respects, Superfrog is like a live, retro jukebox filled
with records hand selected by stoner hippies of the late 1960s. During
the band’s two sets at The Blue Mermaid in Portsmouth last Friday, the
six members covered songs by Jefferson Airplane, The Grateful Dead,
Jimi Hendrix, Janis Joplin and Led Zeppelin, to name but a few. The
only thing that keeps Frog outside the realm of a “cover band” is a
smattering of original tunes, which the group will soon convert into
its first full-length album.
In a demonstration of its musical training, Superfrog tuned its
instruments and loosened up with “So What,” off of Miles Davis’ classic
“Kind of Blue.” Once the band members were satisfied with the sound,
they kicked off the show with “Badfish,” the first of two Sublime
covers of the night. Midway through the song, guitarists Andy Mendola
and Jeremy “Fuzzy” Grob dueled playfully on their six-strings, the
former on electric and the latter on acoustic. Meanwhile, bassist Nate
Proper and drummer Shane Comer maintained the beat, while trumpeter
Tony DiBurto ornamented the tune with his horn.
It was quickly evident that the musicians, most of whom are in
their early 20s, strive to replicate the frolicking party atmosphere
that Sublime imbued in the 1990s. While the band paid frequent tribute
to its classic rock forefathers, it also tipped its cap to modern jam
acts like moe. Interspersed between the covers were occasional
originals that carried a similarly jammy, funk-rock sound.
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Written by Nate Groth
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Wednesday, 27 February 2008 |
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at The Press Room on Feb. 23
“We were very nervous,”
said Roman(US)’s laptop wielding singer, Felix Duque, after the band’s
inaugural gig in front of a packed house at The Press Room on Saturday.
Duque’s apprehension was attributed to the fact that the performance
marked the first time that all three members had ever played in the
same room together. Based in Barcelona, Spain, Felix and his cousin,
local drummer/synth player/yoga aficionado José Duque, began
collaborating as Roman(US) via the Internet for the 2006 RPM Challenge.
Two years later, they continue their musical collaboration with the
addition of multi-instrumentalist Nick Phaneuf. Phaneuf, a former Dover
resident who recently moved to Hamburg, Germany, returned to the
Seacoast to play a series of shows with the Duque cousins and work with
them on their submission to this year’s RPM Challenge. The vast
geographic distances that separate these musicians were not evident
during the solid night of music they presented in Portsmouth.
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Written by Michelle Moon
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Friday, 01 February 2008 |
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at The Press Room, Jan. 26
Even for music fans, leaving
the house on an icebound January night to catch a live show takes a
certain amount of grit and determination. That and simple faith—the
hope that after making your way through streets so cold that the
sidewalks ring under your heels, you’ll hear something hot enough to
justify the trip. A band that can turn up the heat acts as a steam
valve, releasing the explosive pressure of a month or so of built-up
cabin fever. Saturday night at the Press Room, King Memphis provided
abundant BTUs with three solid sets of rockabilly rhythm.
King Memphis front man Matt Robbins took command of the stage
with cool authority, a laid-back balance to the sparks thrown by
bassist Kris Day (also of the Jerks of Grass) and drummer Dave
Ragsdale. The backing musicians’ fast and fiery styles suit the
material just right. Strong originals like the fuzzy “Flat Black
Cadillac” and the Commander-Cody-esque “Thinking about Drinking” settle
firmly in the rockabilly tradition of songs about various kinds of
engines, women and dangerous behavior.
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Written by Matt Kanner
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Thursday, 17 January 2008 |
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at The Barley Pub, January 9
Members of jazz-funk
sextet Mac Tough seem very much at home within the familiar confines of
The Barley Pub in Dover. Most of the musicians have played here
regularly, in various contexts, over the past several years. The band’s
comfort level and casual approach translate into a perfect fit for the
pub’s Wednesday night funk series. Pub patrons can catch Mac Tough on
three more nights, Jan. 16, 23 and 30, during the band’s month-long
residency in January.
Led by guitarist Jim Dozet, Mac Tough plays a blend of originals
and covers, blurring the lines between jazz and funk in the tradition
of pioneers like Horace Silver, Herbie Hancock, Jimmy Smith and
latter-day Miles Davis. Dozet, drummer Jay Trikakis, bassist Roland
Nicol and trumpeter Chris Klaxton are also members of The Press
Project, a jazzified Seacoast hip-hop band that has developed a
substantial following over the last couple of years. Mac Tough is
rounded out by organist Eric Donnelly and saxophonist Sean Barry.
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