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Field Recordings
Dave Gerard | Print |  E-mail
Written by Matt Kanner   
Friday, 10 July 2009

at the Press Room July 1

Dave Gerard jokingly thanked folk legend Tom Rush for opening for him on July 1. Rush had played a show under the tent at the Prescott Park Arts Festival, finishing his set about an hour before Gerard kicked off his solo gig at The Press Room. Gerard regrettably confessed that he did not know any Tom Rush songs and could not pay tribute to the fellow New Hampshire resident. Instead, he dove into a fresh and energetic set of mostly original songs from his new CD, “The Zoomy Trail.”

A veteran Seacoast performer with unmitigated passion for his craft, Gerard meshes blues, rock and bluegrass into a distinctive guitar and singing style. When he’s not gigging as a solo artist, he can often be found fronting his Portsmouth-based rock band Truffle, which has been together since 1986. That experience all comes to bear on “The Zoomy Trail,” his fourth solo album.

Gerard’s acoustic guitar expertise was on full display at The Press Room, where he often indulged the Wednesday night crowd with extended instrumental interludes. He strummed chords easily and proficiently, complementing his own playing with his often guttural vocals. His voice, similar in pitch to Eric Clapton but with a slight Louis Armstrong growl, invokes the spirit of New Orleans music on the Seacoast.
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Jim Weider and Project Percolator at Inn on the Blues, April 30 | Print |  E-mail
Written by Matt Kanner   
Wednesday, 06 May 2009

During the band’s extended closing number, the two guitarists and bassist strolled away from the stage one at a time, leaving drummer Rodney Holmes to paralyze the audience with an absolute thunderstorm of percussion. The unaccompanied solo, a throwback to John Bonham’s lengthy percussive tantrums with Zeppelin, had the crowd slack-jawed and awed for more than five minutes… But we’ll come back to that. 

Project Percolator made the trip to York, Maine, from the band’s headquarters in New York for two shows at Inn on the Blues on April 30 and May 1. The show was slightly off season for the Inn, which reserves most of its live music for the busy summer months. But bandleader Jim Weider, who refers to York Harbor as “a second home,” rarely fails to draw a crowd in the area.

The bar was mostly full when Weider strapped on his telecaster guitar and dove into a set of classic instrumental rock in support of Percolator’s new CD “Pulse.” A veteran performer capable of truly explosive solos, Weider adopted laboring facial expressions as he hit the upper registers, demonstrating undiminished passion for his craft.
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Stone Church reopens, if only for a night | Print |  E-mail
Written by Jared Roberts   
Thursday, 26 March 2009

venue opens its doors for Krystal Polychronis CD release show

With much trepidation I made the familiar trek up Zion hill toward The Stone Church on March 21. The Newmarket venue, closed since being sold at auction in September, was open for a single night—a CD release party for Hampton-based singer-songwriter Krystal Polychronis. As the wide doors flung open, I could hear the excited chatter of concert goers embracing their beloved hall. They, like me, were anticipating a good show at their favorite venue. 

There was no cover charge, but the room was filled with children holding balloons and doing handstands while someone told a story into the microphone. My initial impression was part birthday party, part basement concert and part family reunion, but the Terrapin Station sign still hung from a reinforced wooden beam and the bar seemed to be open, so I headed that way. 

At this point, an intermission band (apparently Polychronis had done half her set already) was in the midst of one of its many covers. Amongst the U2 and Coldplay covers I think I heard “Eagle Eye Cherry.” The sound system left much to be desired. The mikes were trebly and far louder than the instruments, resulting in some piercing sounds whenever one of the singers got a little overzealous. I did, however, feel my foot tapping every once in a while. The highlight was the last song, when the band invited some guy in a Superman T-shirt up to play lead guitar. He proceeded to blow away the rest of the band during a 15- to 20-second solo. 
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Aloud at the Muddy River, March 5, 2009 | Print |  E-mail
Written by Matt Kanner   
Friday, 13 March 2009

The four members of Boston-based indie rock band Aloud seemed undeterred by the evening’s obstacles. The band was supposed to split sets with Portland, Maine’s The Cambiata, who canceled at the last minute due to illness. The room in the basement of The Muddy River was mostly empty on this winter weeknight, with a row of attentive patrons dotting the bar. But the low turnout didn’t stop Aloud from spinning the adrenaline dial all the way to max.

The band is led by dual vocalists/guitarists Henry Beguiristain and Jen de la Osa, who have been collaborating as songwriters since their early teens. Behind the two leads are bassist Ryan Majoris and drummer Jonathan Schmidt. During their hour-long set, the group performed several songs from its sophomore album, “Fan the Fury,” released early last year on the band’s own Lemon Merchant Records.

The four band members demonstrate striking chemistry onstage. Beguiristain occasionally sidles up to Osa to sing into the same microphone, and the pair often meet center-stage to play guitar face to face. Majoris and Schmidt, too, seem to get caught up in their musical collaborations, often grinning at each other when the beat strikes them as particularly satisfying.
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Tan Vampires at The Muddy River, Jan. 31, 2009 | Print |  E-mail
Written by Tom Kressler   
Thursday, 05 February 2009

Image here:
It’s been almost two years exactly since Jake Mehrmann self-released his first Tan Vampires record “I Can Hear Them in the Dark,” an RPM Challenge record that scored him a loyal brood of fans. After years of playing solo shows, Mehrmann recently roped in a cast of local musicians to play and write music as a full band and the results are worth checking out as soon as possible. The revamped Tan Vampires have played a handful of shows in the area recently, including gigs at the Barley Pub in Dover every fourth Wednesday of the month, and a show on Saturday night at The Muddy River in Portsmouth with Boston-based pop-rock band The Honors.

“We’re still working out a lot of things,” Mehrmann said before the show.

But it wasn’t obvious at The Muddy on Saturday night. A good crowd, including many who were familiar with Mehrmann’s songs, if not the new arrangements, was dazzled as the five band members behind him fleshed out songs that were stark with atmosphere and solid rhythms. Guitarist Nick Phaneuf, formerly of The Sixth Root and The Texas Governor, took a lot of this on himself, running his guitar through a live computer program and emitting lush tones to complement Mehrmann’s strong voice. Keyboardist Mike Effenberger, playing a Fender Rhodes and a synthesizer, and trumpeter Chris Klaxton were also great additions. There was a real ease between all the musicians onstage, probably because most have played together in some form over the years. It’s really a small, incestuous world for musicians on the Seacoast.
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