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Book Reviews
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Written by Harvey Shepard
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Wednesday, 21 November 2007 |
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by Philip Roth
292 pages, Houghton Mifflin Company, 2007
What a cunning,
clever, courageous and consummate writer Philip Roth still is after
more than 25 books, beginning with his remarkable 1959 collection
“Goodbye, Columbus.” Among all living American writers, Roth is perhaps
the most deserving candidate for a Nobel Prize, which would sit
alongside his Pulitzer Prize, National Book Awards and many other
honors.
Inevitably using both factual and fictitious elements of his
life and his deepest passions and conflicts—especially in the realm of
the erotic—Roth never fails to construct an engrossing story with
fascinating characters who reside in the real historical, political and
social context of American life.
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Written by Matt Kanner
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Wednesday, 07 November 2007 |
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by Daniel Lyons
248 pages, Da Capo Press, 2007
It began as a mystery blog
that unexpectedly swelled into an Internet sensation. Someone was
posting a scathingly hilarious fake diary of Apple CEO Steve Jobs
online, and a tech-savvy audience ate it up. When the blog’s author was
revealed to be Daniel Lyons, a senior editor of Forbes, Lyons was far
from apologetic. He wrote a 248-page satirical novel narrated by Fake
Steve Jobs, an exaggerated parody of the eccentric computer wiz who
built a multi-billion dollar company from scratch.
Although “Options” is absurd in its farcical extremes, the plot
revolves around actual events in the life of Steve Jobs. It takes place
in the very recent past, well after Jobs struck gold with the release
of the iPod. But, although he is worth $5 billion (much more if you
consider the market value of his company), he is beset with legal
problems that rival Martha Stuart and Enron.
Wrapped up in a scandal involving illegally backdated stock options,
Jobs is skewered in the press and hounded by bigwig prosecutors with
personal agendas. As Jobs attempts to dodge attorneys, Apple board
members and disgruntled shareholders, he halfheartedly devotes his
attention to his next groundbreaking invention—the iPhone.
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Written by Michele Filgate
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Wednesday, 31 October 2007 |
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by Brock Clarke
305 pages, Algonquin Books, 2007
“I been there before,” Mark
Twain writes at the conclusion of “Huckleberry Finn.” This sentiment
of familiarity could easily be applied to Brock Clarke’s catchy but
flawed latest novel, “An Arsonist’s Guide to Writers’ Homes in New
England.” Occasionally, redundancy is a good thing. Readers need to be
metaphorically hit over the head with themes in certain books. Yet,
Clarke’s fake memoir, focusing on the rambling tales of an accidental
arsonist burning down Emily Dickinson’s home, fails to spark more than
a small flame of a well-executed novel.
Sam Pulsifer is a self-proclaimed “bumbler,” with no sense of
direction in life. He accidentally sets fire to the famous poet’s
house, causing the deaths of two people making nookie on her bed. When
Sam gets out of jail 10 years later, he goes to school to become a
packaging scientist, meets the perfect woman and has the perfect kids.
The family moves to a little part of suburbia, aptly named “Camelot.”
Here, Sam has a “normal” existence, until the day that Thomas Coleman,
son of the victims of the Emily Dickinson house fire, appears out of
nowhere, threatening to fill Sam’s wife and kids in on his dark past.
As more New England writers’ homes start to go up in flames, the story becomes more ridiculous.
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Written by Liberty Hardy
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Wednesday, 10 October 2007 |
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by Rudolph Delson
2007, 300 pages
Houghton Mifflin
As Mazeppa, the trumpet-playing burlesque
dancer from “Gypsy,” pointed out, “Kid, you gotta have a gimmick if you
want to get ahead.” Rudolph Delson’s first novel certainly has that.
“Maynard and Jennica” tells the story of, er, Maynard and Jennica.
Their New York City romance is told through the voices of no less than
35 different narrators. And, like Mazeppa herself, the story is
revealed to us a little bit at a time.
Maynard Gogarty is a “reformed misanthrope” who now spends his
time secretly filming fashion faux pas on New York subways. He lives in
an apartment his parents own, making a few dollars here and there by
teaching piano to children who would rather play video games, and
occasionally indulging himself with his strange whims, such as a failed
bran muffin business. His film, “Unseemly,” featuring clips he has shot
on the subway, has garnered him a spot of attention, most recently
being shown at Sundance.
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Written by Liberty Hardy
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Wednesday, 19 September 2007 |
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by Jeff Lindsay
368 pages, Doubleday
For decades, Dexter Morgan has been
dealing with a dark secret—he’s not like everyone else. Sure, on the
outside, he’s likable Dexter, with a doting girlfriend, a close
relationship with his sister and a great job working as a blood-spatter
analyst for the Miami police department. But, on the inside, he’s
governed by the Dark Passenger, a sinister presence who dictates the
true Dexter’s every move and helps him live out his real desire:
killing people.
You see, from a very young age, Dexter had always felt
different. He didn’t want to have a life, he wanted to take one. When
he was a teenager, the adopted boy’s father, Harry, a police officer,
noticed this difference in him. Instead of committing him to a
psychiatric ward or locking him up, Harry trained Dexter how to harness
and use his evil for good, teaching him to hunt and kill people who
deserve to die. Serial killers, mostly. Now, years later, out of
respect for Harry, and thanks to the benefits of working for the cops,
Dexter is able to locate and kill Dade County’s undesirables.
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