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Book Reviews
much awaited mystery arrives for summer reading | Print |  E-mail
Written by Liberty Hardy   
Thursday, 03 July 2008

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‘What Was Lost’
by Catherine O’Flynn
240 pages, Henry Holt and Company, 2007

Finally, the much lauded “What Was Lost” is available in the United States, having won the prestigious Costa First Novel and garnered several other nominations. It doesn’t disappoint. Equal parts “Harriet the Spy,” “Clerks” and “The Lovely Bones,” Catherine O’Flynn’s debut novel is quirky and funny, while at the same time breathtaking and sad.

It’s 1984. Kate Meaney is a quiet, intelligent 12-year-old who wants nothing more than to be a detective. (Her partner is a stuffed monkey named Mickey.) When not at school, she spends her days sneaking around, secretly observing the actions of people at the Green Oaks mall, taking notes in her notepad in the event that an actual crime is committed. She also hangs around the candy shop next door to her home, talking to Adrian, who hires her for her first assignment. Kate is a sweet, harmless girl, and it’s heartbreaking to know, from reading the book’s cover, that very soon, she’s going to go missing.
 

Fast forward to 2003. Adrian’s sister Lisa is the assistant manager of a record store at Green Oaks, where she hates everything about her job. (Much of the book’s comic relief comes from the several “Clerks”-like incidents that happen in the store.)
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Snuff | Print |  E-mail
Written by Liberty Hardy   
Saturday, 10 May 2008

by Chuck Palahniuk
197 pages, Doubleday
2008

No one is perfect. Authors can’t be expected to write fantastic books every time out. Sometimes they need to be given a pat on the head and told, “It’s okay, you gave it a shot. You’ll do better next time.” But, in the case of the new novel, “Snuff,” the story of a porn star trying to break the world record for serial fornication, author Chuck Palahniuk really needs to be called out for trying to pass off one long gross-out gimmick as a groundbreaking work. He cannot possibly expect us to swallow this.

“Snuff” tells the story of porn queen Cassie Wright and her attempt to break the record for most male partners on camera. For the challenge, 600 willing men gather in a room in their underwear, waiting for their big onscreen moment.

Cassie thinks the challenge of making the movie may kill her (hence the title, “Snuff,” which is the term given to the act of purposely filming an actual death), but the idea doesn’t bother her. She has grown quite tired of her life, and she hopes to leave the film royalties to the child she gave up for adoption at birth.
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‘Sharp Teeth’ | Print |  E-mail
Written by Michele Filgate   
Thursday, 21 February 2008

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by Toby Barlow
320 pages, Harper
review by Michele Filgate

You’re in for a howling, jaw-licking, teeth-gnashing time with Toby Barlow’s debut novel, “Sharp Teeth.” What is it about werewolves that usually makes a book or movie scream cheesiness? Not so in this modernist-pumped, fast-paced, mythological, visual and innovative story. Barlow fills his pages with blank verse, a sort of Homer meets Kerouac meets Neil Gaiman. The biting prose works in the poetic form, and the snappy pace doesn’t undermine the seriousness of the work.
The novel is set in modern California and follows several packs of lycanthropes (aka werewolves) and the tenuous relationships among them. There’s your traditional evil no-gooder (Baron) who is bent on power and eager to betray the leader of his pack (Lark) while undermining another. There are the loyal dogs who wouldn’t twitch their snouts at the scent of any traitorous scheme. And there’s the star-crossed lovers—one man, one she-wolf—trying to maintain a healthy relationship despite an ungodly secret.
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‘Gonzo: The Life of Hunter S. Thompson’ | Print |  E-mail
Written by Matt Kanner   
Thursday, 14 February 2008

by Jann S. Wenner & Corey Seymour
Little, Brown and Company, 2007, 467 pages

“Hunter was born different—very different,” begins “Gonzo,” the new oral biography of famed author and journalist Hunter S. Thompson.

The comment comes from his former wife, Sandy Thompson, who provides one of the most consistent voices in the book. The text that follows her opening statement colorfully and vividly illustrates the fact that not only was Thompson born different, but he lived and died different. Throughout his bizarre and incendiary career, Thompson invented new ways of writing, reporting and behaving that have made him an icon—albeit a mad and savage icon—for generations of authors and journalists. All the glory, energy, hypocrisy and general weirdness that characterizes America was contained within Thompson’s drug-fueled ambling figure, and it was reflected to the world in his writing.

The biography is composed entirely of second- and third-hand stories compiled by Rolling Stone founder, editor and publisher Jann S. Wenner and Rolling Stone writer and editor Corey Seymour. Thompson’s weird and righteous saga is gradually unfolded by a spree of friends, colleagues, loved ones and celebrities, ranging from actors like Jack Nicholson and Johnny Depp to musicians like Jimmy Buffet and Marilyn Manson, from politicians like Jimmy Carter and George McGovern to fellow authors like Tom Wolfe and Norman Mailer.
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‘Diary of a Bad Year’ | Print |  E-mail
Written by Harvey Shepard   
Friday, 01 February 2008

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by J. M. Coetzee
Viking, 2007, 231 pages

J. M. Coetzee, winner of the 2003 Nobel Prize for literature, has written a fascinating new novel, “Diary of a Bad Year.” When I first saw the form of the book, I groaned. The page is divided into two (later three) parts, each separated by a horizontal line. The top portion consists of a series of connected brief essays by the novel’s narrator, a fictional famous writer. The essays, readers learn, are to be released by a German publisher in a book titled “Strong Opinions,” which will include contributions from five well-known authors.

The narrator of the novel, who signs himself “JC” in notes and is called “Seňor C” by the novel’s other main character, Anya, who is typing his manuscript, happens to be the author of a novel called “Waiting for the Barbarians,” which is also the title of Coetzee’s Nobel Prize winning book. The narrator also happens to be close to Coetzee’s age, although six years older, and, like Coetzee, was born in South Africa but moved to Australia. Once again, as with works by Philip Roth and other writers, readers find themselves in a land of confusion between fiction and nonfiction.
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