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Book Reviews
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Written by Liberty Hardy
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Thursday, 03 July 2008 |
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‘What Was Lost’
by Catherine O’Flynn
240 pages, Henry Holt and Company, 2007
Finally, the much
lauded “What Was Lost” is available in the United States, having won
the prestigious Costa First Novel and garnered several other
nominations. It doesn’t disappoint. Equal parts “Harriet the Spy,”
“Clerks” and “The Lovely Bones,” Catherine O’Flynn’s debut novel is
quirky and funny, while at the same time breathtaking and sad.
It’s 1984. Kate Meaney is a quiet, intelligent 12-year-old who
wants nothing more than to be a detective. (Her partner is a stuffed
monkey named Mickey.) When not at school, she spends her days sneaking
around, secretly observing the actions of people at the Green Oaks
mall, taking notes in her notepad in the event that an actual crime is
committed. She also hangs around the candy shop next door to her home,
talking to Adrian, who hires her for her first assignment. Kate is a
sweet, harmless girl, and it’s heartbreaking to know, from reading the
book’s cover, that very soon, she’s going to go missing.
Fast forward to 2003. Adrian’s sister Lisa is the assistant
manager of a record store at Green Oaks, where she hates everything
about her job. (Much of the book’s comic relief comes from the several
“Clerks”-like incidents that happen in the store.)
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Written by Liberty Hardy
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Saturday, 10 May 2008 |
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by Chuck Palahniuk
197 pages, Doubleday
2008
No one is perfect. Authors can’t be expected to write
fantastic books every time out. Sometimes they need to be given a pat
on the head and told, “It’s okay, you gave it a shot. You’ll do better
next time.” But, in the case of the new novel, “Snuff,” the story of a
porn star trying to break the world record for serial fornication,
author Chuck Palahniuk really needs to be called out for trying to pass
off one long gross-out gimmick as a groundbreaking work. He cannot
possibly expect us to swallow this.
“Snuff” tells the story of porn queen Cassie Wright and her
attempt to break the record for most male partners on camera. For the
challenge, 600 willing men gather in a room in their underwear, waiting
for their big onscreen moment.
Cassie thinks the challenge of making the movie may kill her
(hence the title, “Snuff,” which is the term given to the act of
purposely filming an actual death), but the idea doesn’t bother her.
She has grown quite tired of her life, and she hopes to leave the film
royalties to the child she gave up for adoption at birth.
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Written by Michele Filgate
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Thursday, 21 February 2008 |
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by Toby Barlow
320 pages, Harper
review by Michele Filgate
You’re in for a howling,
jaw-licking, teeth-gnashing time with Toby Barlow’s debut novel, “Sharp
Teeth.” What is it about werewolves that usually makes a book or movie
scream cheesiness? Not so in this modernist-pumped, fast-paced,
mythological, visual and innovative story. Barlow fills his pages with
blank verse, a sort of Homer meets Kerouac meets Neil Gaiman. The
biting prose works in the poetic form, and the snappy pace doesn’t
undermine the seriousness of the work.
The novel is set in modern California and follows several packs of
lycanthropes (aka werewolves) and the tenuous relationships among
them. There’s your traditional evil no-gooder (Baron) who is bent on
power and eager to betray the leader of his pack (Lark) while
undermining another. There are the loyal dogs who wouldn’t twitch their
snouts at the scent of any traitorous scheme. And there’s the
star-crossed lovers—one man, one she-wolf—trying to maintain a healthy
relationship despite an ungodly secret.
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Written by Matt Kanner
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Thursday, 14 February 2008 |
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by Jann S. Wenner & Corey Seymour
Little, Brown and Company, 2007, 467 pages
“Hunter was born
different—very different,” begins “Gonzo,” the new oral biography of
famed author and journalist Hunter S. Thompson.
The comment comes from his former wife, Sandy Thompson, who
provides one of the most consistent voices in the book. The text that
follows her opening statement colorfully and vividly illustrates the
fact that not only was Thompson born different, but he lived and died
different. Throughout his bizarre and incendiary career, Thompson
invented new ways of writing, reporting and behaving that have made him
an icon—albeit a mad and savage icon—for generations of authors and
journalists. All the glory, energy, hypocrisy and general weirdness
that characterizes America was contained within Thompson’s drug-fueled
ambling figure, and it was reflected to the world in his writing.
The biography is composed entirely of second- and third-hand
stories compiled by Rolling Stone founder, editor and publisher Jann S.
Wenner and Rolling Stone writer and editor Corey Seymour. Thompson’s
weird and righteous saga is gradually unfolded by a spree of friends,
colleagues, loved ones and celebrities, ranging from actors like Jack
Nicholson and Johnny Depp to musicians like Jimmy Buffet and Marilyn
Manson, from politicians like Jimmy Carter and George McGovern to
fellow authors like Tom Wolfe and Norman Mailer.
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Written by Harvey Shepard
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Friday, 01 February 2008 |
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by J. M. Coetzee
Viking, 2007, 231 pages
J. M. Coetzee, winner of the 2003
Nobel Prize for literature, has written a fascinating new novel, “Diary
of a Bad Year.” When I first saw the form of the book, I groaned. The
page is divided into two (later three) parts, each separated by a
horizontal line. The top portion consists of a series of connected
brief essays by the novel’s narrator, a fictional famous writer. The
essays, readers learn, are to be released by a German publisher in a
book titled “Strong Opinions,” which will include contributions from
five well-known authors.
The narrator of the novel, who
signs himself “JC” in notes and is called “Seňor C” by the novel’s
other main character, Anya, who is typing his manuscript, happens to be
the author of a novel called “Waiting for the Barbarians,” which is
also the title of Coetzee’s Nobel Prize winning book. The narrator also
happens to be close to Coetzee’s age, although six years older, and,
like Coetzee, was born in South Africa but moved to Australia. Once
again, as with works by Philip Roth and other writers, readers find
themselves in a land of confusion between fiction and nonfiction.
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