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17. The Benders
“Can’t Wait To See You Again”
from “Mountain Radio”
Bow Thayer–banjo, vocals • Jabe Beyer–guitar, vocals • Nolan McKelvey–bass, vocals • Sean Staples–mandolin • Tim Kelly–dobro
www.bendersband.com
The Benders date their formation as a band to a Vermont party back in
1999, when three of the members (Jabe Beyer on guitar, Nolan McKelvey
on bass, and Bow Thayer on banjo) got together for a casual jam
session. Musical chemistry was evident, and the trio soon morphed into
a quintet. With the addition of Sean Staples on mandolin and Tim Kelley
on dobro, the Benders have released three CDs on Pig Pile Records,
their most recent being “Mountain Radio” (since that CD’s release in
2003, bassist McKelvey has left the band, replaced by Jay Aucella).
Currently the band members are distributed around New England, from
Boston up to Stowe, Vt., while remaining loosely centered around the
Somerville/Cambridge, Mass., roots music scene.
The instrumental lineup reads like a standard bluegrass band, and song
topics that include heartbreak, murder and strong drink tilt
impressions in that direction. But their rock background is also a
major influence on their sound and approach, yielding a mix of the
rootsy, intimate qualities of an acoustic string band and the raucous
rumble of punk/rock. Add some tasty harmonies and lyrics you’d want to
go back and listen to more than once, and it’s clear why this band
originally conceived as a side project has developed a life of its own.
The repertoire also steers away from bluegrass standards, drawing on
the talents of three songwriters (Thayer, Beyer and McKelvey).
Instrumentally, the dominant sounds are the dobro and the mandolin.
Both Kelly and Staples are strong, inventive players, and the picking
is folded into the arrangements in a way that’s more akin to rock or
alt-country than to the standard bluegrass round of solos.
“Can’t Wait to See You Again” is a catchy, dobro-driven song that also
boasts the aforementioned good harmonies. The Benders sound like they
would be a hell of a good night out at a joint like the Stone Church.
In fact, in some ways they tap into the ’70s hippie-grass vibe, but
without the hippies—not that there’s anything wrong with that….
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