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Marcia Ball @ The Stone Church, Feb. 17 |
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Written by Alan Chase
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Wednesday, 22 February 2006 |
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Mardi Gras came early to The Stone Church last Friday evening as
singer/pianist Marcia Ball and her band lit up the place for two heated
sets of New Orleans-style funk and swamp-rock. It was the perfect
antidote to a cold and windy evening in Newmarket.
Mardi Gras came early to The Stone Church last Friday evening as
singer/pianist Marcia Ball and her band lit up the place for two heated
sets of New Orleans-style funk and swamp-rock. It was the perfect
antidote to a cold and windy evening in Newmarket.
Ball and her bandmates played 18 tunes, a blend of up-tempo dance party
music and slow, soulful ballads, before coming back out for a
three-tune encore. And most of the crowd was up and dancing from the
opener “You’re Good To Me” all the way to the end, a little over two
hours later.
Ball is a commanding presence as she sits at her keyboard, one leg
crossed over the other, launching into her energetic piano playing with
authority. She is a practitioner of the rippling New Orleans boogie
style of piano favored by Professor Longhair, Fats Domino and others,
including a touch of Jerry Lee Lewis. But she also knows when to show
restraint. She keeps her solos simple and tasteful. Her vocal work is
powerful but not overbearing and she wrings deep emotion out of the
ballads, most notably on the aching love song “Saint Gabriel,” which
was one of the many highlights in the set.
The band is first rate. When I caught Ball at the 2003 Portsmouth Blues
Festival, I felt she had a very good band with her, but this band was
much better. Their energy and their overall sound was full and funky
but also appropriately subtle and relaxed. Most notable was the
fantastic saxophone work of Thad Scott, who played superb solo after
superb solo throughout. Guitarist Pat Boyack played fairly well, but I
sensed that he was holding back at times. Bassist Don Bennett and
drummer Cory Keller were rock solid, yet flexible enough to cover all
of the grooves effortlessly.
Mention should also be made of the terrific work of band sound
technician Johnny Medina, who kept the sound clear and well balanced
and, most importantly, at the right level of volume. It was an added
pleasure to a night full of good music and good vibes courtesy of Long
Tall Marcia Ball.
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