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Only Disney could make a movie with a war scene and not show a drop of blood.
The new “The Chronicles of Narnia: The Lion, the Witch, and the
Wardrobe” brings back nostalgia for the original made-for-TV series,
and even the book, while straddling the divide between children’s tale
and adult film. While the battle scenes are lavish in the colorful
variety of animated characters, much is left to the imagination of the
viewer in terms of blood and gore. While the sword-to-sword clashes
between the forces of Aslan and the army of the White Witch are
compelling, because of the movie’s PG rating it can not achieve the
convincing quality of the LOTR trilogy, and must rely on the loyalty of
Narnia fans and children for its viewers.
For those unfamiliar with the book the movies are based upon, “The
Lion, the Witch, and the Wardrobe” by C.S. Lewis, or the original
Narnia films, the story begins in war-torn London with four siblings,
Peter, Susan, Edmund and Lucy, who are sent to the English countryside
to live with an eccentric professor, away from the chaos of the World
War II. Hidden in one of the many rooms of the professor’s
mansion they discover a wardrobe, which upon entering they are
transported to the magical world of Narnia.
Narnia is a place where forest animals talk, creatures of myth—such as
centaurs and satyrs—roam, and the world of man has long been
extinct. The winter land is stuck in the icy grip of the evil
White Witch, a sorceress who claims dominion over Narnia and rules with
the terror of a dictator by turning those who oppose her to
stone.
Together, with the help of some friendly beavers—which is somehow not
as silly as it sounds—, a wise and magical lion named Aslan, and an
army of animals and mythical creatures, the four children wage war
against the White Witch and her allies.
Even though the film may be geared toward children and the young at
heart it at times can be frightening, especially during one scene when
viewers are shown the horrific appearance of the White Witch’s minions;
beasts who look disturbingly similar to orcs.
The scene of Aslan’s death is a tear-jerker, and the CGI effects
throughout the movie are well done, making talking animals seem
plausible while imbuing them with distinct character.
Disney has sacrificed some of its mainstream audience by leaving out
the gory details that appeal to older generations; however, “The Lion,
the Witch, and the Wardrobe” is a magical step back in time to
childhood for those who grew up reading the books or watching the old
shows.
—Nick Gosling
directed by Andrew Adamson based on the novel by C.S. Lewis
starring Tilda Swinton, James McAvoy, Jim Broadbent
rated PG for battle sequences and frightening moments.
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